Librarian Marnie Jones has reinvented herself. After horrors that changed her forever, she’s built a new life and has found what she believes to be safety and quiet happiness. She hopes she's outrun her past, but all that changes when a stranger comes to the small town of Mission City, British Columbia. Jake McGrath has expended considerable resources to find Marnie Jones. His niece, Olivia, is spiraling out of control, and Jake thinks Marnie—who understands what his traumatized relative's going through—is the one person who might help save her. . He needs to convince the skittish woman to return to Toronto with him. She’s his only hope. Marnie reluctantly agrees to speak to Olivia, and each conversation shines a new light on her own life. Can she help Olivia and herself as well? If she can let her walls down enough to let one person in, perhaps she can admit her feelings for Jake and live the life she’s always dreamed of. But those walls are thick and well-reinforced. Can Jake be patient enough to wait until Marnie's ready to confront her past and forge a future—hopefully with him? The Making of Marnie Jones is a slow-burn, hurt/comfort, enemies-to-lovers romance with a touch of angst and a therapy dog named Tiffany. There is mention of previous sexual assault. The book is the second in the Love in Cedar Valley series set in a small town in British Columbia, Canada.

Remy St. Claire is engulfed in grief, overwhelmed with caring for her three-year-old sister Calleigh after the death of their parents. As an assistant crown prosecutor, she works to put monsters in jail. She can go toe-to-toe with the most hardened of criminals, but a distraught toddler might be her downfall. Rusty Stevens has his hands full raising his three-year-old daughter Miracle on his own. Applying for the job to be Calleigh’s nanny solves two problems at once—more time with his child while still earning money, and a playmate for Miracle. He worries his new boss works too hard, but he’s proud to be able to provide a stable home for all of them. Then Rusty’s wife appears, and secrets from both Rusty’s and Remy’s pasts threaten the fragile relationship that has developed between them. When all the secrets are laid bare, will their trust survive, or will the truth drive them apart forever? The Redemption of Remy St. Claire is a single-father, fake marriage romance with a touch of angst and two adorable three-year-old girls. There is mention of a previous sexual assault. The book is the third in the Love in Cedar Valley series set in a small town in British Columbia, Canada.

"Do unto others as ye would have them do unto you" are the words upon which Samuel M. Jones, self-made millionaire and mayor of Toledo, Ohio (1897-1904) organized his life, business, and political career. Unlike most progressive reformers, Jones was in a position to initiate real change. His factory workers shared in the profits and took advantage of day-care facilities for their children. As mayor, he was a nationally revered public figure who supported municipal ownership of utilities, ended the practice of jailing the homeless, and made available free legal counsel to those who needed it. Marnie Jones relies upon a rich collection of unpublished documents to tell the compelling story of the only man in America to have run a city on the principles of the Sermon on the Mount.

Loriana Harper is the head librarian of the Mission City Public Library. She considers herself a matchmaker in this little town in British Columbia—especially for her employees. When a gorgeous technician arrives to update their computers, she can’t help musing about who might be his perfect match. Except, the more time she spends with Mitch, the more she wants him for herself. Mitch Alexander left in disgrace from a good job in California. He’s come to this small town to make a new start where no one knows him. Although he has no plans to get involved with anyone, he’s drawn to the nosy, vivacious librarian who makes him smile. The local matchmaker might go overboard, but she has good intentions. Except he’s not in the market for any match, unless it's with her. When Mitch’s past catches up with him, and the police come calling, he has to decide if he’ll stay with Loriana or leave to save her from the taint of being associated with him. Loriana’s not ready to let her new man go without a fight—but maybe this is a match that wasn’t meant to be. The Luminosity of Loriana Harper is an older-woman age-gap interracial romance with a touch of angst and a large cat named Plato. The book is the first in the Love in Cedar Valley series set in a small town in British Columbia, Canada.

Royal Canadian Mounted Police Constable Malachy Corcoran takes a demotion in order to accept a front-line job far away from his old position. If he can just keep his head down, perhaps he’ll avoid the worst of the personal and professional disasters headed his way. But once in Mission City, BC, he finds the woman he once walked away from. The woman he’s never forgotten. Abigail Reardon manages the office at Healing Horses Ranch in Mission City. She never told Malachy that she decided to raise their gifted son as a single mother. The son they’d planned to give up for adoption. Malachy’s arrival in town spells disaster—what if Malachy demands parental rights in his son's life? What if he wants custody? Abby and Malachy are forming a fragile alliance to support their son, until Malachy’s past catches up with him just as they start to reach a place of peace. Keeping his new family safe might mean walking away from them. Malachy left once, trying to do the right thing—but does he have the strength to do it again? This Absolution of Abigail Reardon is a second-chance, single-parent romance with a touch of angst and a precocious ten-year-old boy. The book is the prequel to the Love in Cedar Valley series set in a small town in British Columbia, Canada.

Hitchcock's 1964 psychological thriller 'Marnie' generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.

In 1895, Louis Lumi�re supposedly said that cinema is Òan invention without a future.Ó James Naremore uses this legendary remark as a starting point for a meditation on the so-called death of cinema in the digital age, and as a way of introducing a wide-ranging series of his essays on movies past and present. These essays include discussions of authorship, adaptation, and acting; commentaries on Howard Hawks, Alfred Hitchcock, Orson Welles, Vincente Minnelli, John Huston, and Stanley Kubrick; and reviews of more recent work by non-Hollywood directors Pedro Costa, Abbas Kiarostami, Raœl Ruiz, and Apichatpong Weerasethakul. Important themes recur: the relations between modernity, modernism, and postmodernism; the changing mediascape and death of older technologies; and the need for robust critical writing in an era when print journalism is waning and the humanities are devalued. The book concludes with essays on four major American film critics: James Agee, Manny Farber, Andrew Sarris, and Jonathan Rosenbaum.