This volume provides an interdisciplinary approach to legal history, utilizing law, linguistics, cultural anthropology and social history to document and analyze the slow but steady growth of the English common law from Anglo-Saxon times to the 19th century.

Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror’s invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry’s main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry’s place in medieval art, the embroidery’s depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.

Richard II (1377-99) has long suffered from an unusually unmanly reputation. Over the centuries, he has been habitually associated with lavish courtly expenditure, absolutist ideas, Francophile tendencies, and a love of peace, all of which have been linked to the king's physical effeminacy. Even sympathetic accounts have essentially retained this picture, merely dismissing particular facets of it, or representing Richard's reputation as evidence of praiseworthy dissent from accepted norms of masculinity. Christopher Fletcher takes a radically different approach, setting the politics of Richard II's reign firmly in the context of late medieval assumptions about the nature of manhood and youth. This makes it possible not only to understand the agenda of the king's critics, but also to suggest a new account of his actions. Far from being the effeminate tyrant of historical imagination, Richard was a typical young nobleman, trying to establish his manhood, and hence his authority to rule, by thoroughly conventional means; first through a military campaign, and then, fatally, through violent revenge against those who attempted to restrain him. The failure of Richard's subjects to support this aspiration produced a sequence of conflicts with the king, in which his opponents found it convenient to ascribe to him the conventional faults of youth. These critiques derived their force not from the king's real personality, but from the fit between certain contemporary assumptions about youth, effeminacy, and masculinity on the one hand, and the actions of Richard's government, constrained by difficult and complex circumstances, on the other.

Describes how the Puritan culture of New England gave rise to capitalism, and recounts how the small colony developed an international economy.

George C. Homans: History, Theory, and Method offers original essays written by scholars from the fields of sociology, history, anthropology, and literature with the aim of assessing Homans's rich and diverse intellectual contributions. It is the first volume in over thirty years to offer a reappraisal of the life and work of one of the twentieth century's leading social scientists.

The Reader's Guide to British History is the essential source to secondary material on British history. This resource contains over 1,000 A-Z entries on the history of Britain, from ancient and Roman Britain to the present day. Each entry lists 6-12 of the best-known books on the subject, then discusses those works in an essay of 800 to 1,000 words prepared by an expert in the field. The essays provide advice on the range and depth of coverage as well as the emphasis and point of view espoused in each publication.