On May 15, 1916, a crowd of 15,000 witnessed the lynching of an 18-year-old black farm worker. Most central Texans of the time failed to call for the punishment of the mob's leaders. This work seeks to explain how a culture of violence that nourished this practice could form and endure for so long among ordinary people.

Annotation. In 1916, seventeen-year-old Jesse Washington, a retarded black boy, was publicly tortured, lynched, and burned on the town square of Waco, Texas, Drawing on extensive research in the national files of the NAACP, local newspapers and archives, and interviews with the descendants of participants in the events of that day, Patricia Bernstein has reconstructed the details of not only the crime but also how it influenced the NAACP's antilynching campaign.

Lynching has often been called "America's national crime" that has defined the tradition of extralegal violence in America. Having claimed many thousand victims, "Judge Lynch" holds a firm place in the dark recesses of our national memory. In Popular Justice, Manfred Berg explores the history of lynching from the colonial era to the present. American lynch law, he argues, has rested on three pillars: the frontier experience, racism, and the anti-authoritarian spirit of grassroots democracy. Berg looks beyond the familiar story of mob violence against African American victims, who comprised the majority of lynch targets, to include violence targeting other victim groups, such as Mexicans and the Chinese, as well as many of those cases in which race did not play a role. As he nears the modern era, he focuses on the societal changes that ended lynching as a public spectacle. Berg's narrative concludes with an examination of lynching's legacy in American culture. From the colonial era and the American Revolution up to the twenty-first century, lynching has been a part of our nation's history. Manfred Berg provides us with the first comprehensive overview of "popular justice."

Mob violence in the United States is usually associated with the southern lynch mobs who terrorized African Americans during the Jim Crow era. In Forgotten Dead, William D. Carrigan and Clive Webb uncover a comparatively neglected chapter in the story of American racial violence, the lynching of persons of Mexican origin or descent. Over eight decades lynch mobs murdered hundreds of Mexicans, mostly in the American Southwest. Racial prejudice, a lack of respect for local courts, and economic competition all fueled the actions of the mob. Sometimes ordinary citizens committed these acts because of the alleged failure of the criminal justice system; other times the culprits were law enforcement officers themselves. Violence also occurred against the backdrop of continuing tensions along the border between the United States and Mexico aggravated by criminal raids, military escalation, and political revolution. Based on Spanish and English archival documents from both sides of the border, Forgotten Dead explores through detailed case studies the characteristics and causes of mob violence against Mexicans across time and place. It also relates the numerous acts of resistance by Mexicans, including armed self-defense, crusading journalism, and lobbying by diplomats who pressured the United States to honor its rhetorical commitment to democracy. Finally, it contains the first-ever inventory of Mexican victims of mob violence in the United States. Carrigan and Webb assess how Mexican lynching victims came in the minds of many Americans to be the "forgotten dead" and provide a timely account of Latinos' historical struggle for recognition of civil and human rights.

Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.

The history of lynching and mob violence has become a subject of considerable scholarly and public interest in recent years. Popular works by James Allen, Philip Dray, and Leon Litwack have stimulated new interest in the subject. A generation of new scholars, sparked by these works and earlier monographs, are in the process of both enriching and challenging the traditional narrative of lynching in the United States. This volume contains essays by ten scholars at the forefront of the movement to broaden and deepen our understanding of mob violence in the United States. These essays range from the Reconstruction to World War Two, analyze lynching in multiple regions of the United States, and employ a wide range of methodological approaches. The authors explore neglected topics such as: lynching in the Mid-Atlantic, lynching in Wisconsin, lynching photography, mob violence against southern white women, black lynch mobs, grassroots resistance to racial violence by African Americans, nineteenth century white southerners who opposed lynching, and the creation of 'lynching narratives' by southern white newspapers. This book was first published as a special issue of American Nineteenth Century History

Revolt Against Chivalry, winner of the Frances B. Simkins and Lillian Smith Awards, is the classic account of how Jessie Daniel Ames - and the antilynching campaign she led - fused the causes of feminism and racial justice in the South during the 1920s and 1930s.