“Attention, ‘Game of Thrones’ fans: The most enjoyably sensational aspects of medieval politics—double-crosses, ambushes, bizarre personal obsessions, lunacy and naked self-interest—are in abundant evidence in Nancy Goldstone's The Maid and the Queen.” (Laura Miller, Salon.com) Politically astute, ambitious, and beautiful, Yolande of Aragon, queen of Sicily, was one of the most powerful women of the Middle Ages. Caught in the complex dynastic battle of the Hundred Years War, Yolande championed the dauphin's cause against the forces of England and Burgundy, drawing on her savvy, her statecraft, and her intimate network of spies. But the enemy seemed invincible. Just as French hopes dimmed, an astonishingly courageous young woman named Joan of Arc arrived from the farthest recesses of the kingdom, claiming she carried a divine message-a message that would change the course of history and ultimately lead to the coronation of Charles VII and the triumph of France. Now, on the six hundredth anniversary of the birth of Joan of Arc, this fascinating book explores the relationship between these two remarkable women, and deepens our understanding of this dramatic period in history. How did an illiterate peasant girl gain access to the future king of France, earn his trust, and ultimately lead his forces into battle? Was it only the hand of God that moved Joan of Arc-or was it also Yolande of Aragon?

In 1559 England, Meg, an orphaned thief, is pressed into service and trained as a member of the Maids of Honor, Queen Elizabeth I's secret all-female guard. But her loyalty is tested when she falls in love with a Spanish courtier who may be a threat.

On March 15, 1348, Joanna I, the queen of Naples, stood trial for her life before the Pope and his court in Avignon. She was 20, and accused of murdering her cousin and husband, Hungarian prince Andrew. That she won her acquittal--arguing her own case in Latin--was remarkable in its own right; that she would go on to rule over one of Europe's most glittering courts for more than 30 years was extraordinary. For the first time, Nancy Goldstone tells the full story of one of the most courageous and accomplished women in history, who challenged the powers of her time, and whose life highlights the dynastic rivalries and alliances across Europe in the dramatic 14th century. She was the only woman in her time to rule in her own name. Dedicated to the welfare of her subjects and realm, Joanna reduced crime, built hospitals and churches, encouraged the licensing of women physicians, and lured some of the most important writers and artists of the century to her glamorous, elegant court, which rivaled that of Elizabeth I of England in power and scope. Around her also swirled war, plague, and the intrigue and treachery that would ultimately be her downfall. As Nancy Goldstone reveals, in Joanna's legacy are found the seeds of both the Renaissance and the Reformation. For anyone who has enjoyed the works of Alison Weir, Amanda Foreman, and Antonia Fraser,The Lady Queen will be must reading.

The girl who led an army. The peasant who crowned a king. The maid who became a legend.

This acclaimed work on the life and mysticism of Joan of Arc is considered by historians as one of the most convincing, well researched and best written accounts of the Maid of Orleans. Stolpe vividly creates the contemporary situation in France during Joan's time, evaluates the latest research on her life, and arrives at an original and authentic portrait - one that is also a work of literature. Stolpe sees Joan of Arc as primarily a mystic, and her supreme achievement and lasting significance not so much in a mission to deliver France - though important - but in her sharing in the Passion of Christ. By shifting the emphasis from the national to the universal, Stolpe brings the saint closer to the modern reader. His scholarship is informed by a profound understanding and sympathy for the Maid, giving his essentially sober work the absorbing interest of a novel. As one critic stated, "Stolpe succeeds in producing a very tense interest, so that it is impossible to lay it aside until the last word is reached." This work should do much to present a new evaluation and appreciation of the life and mysticism of St. Joan of Arc, the Maid of Orleans.

A poor serving girl conspires to save an innocent woman that Lord Scuggate is planning to burn as a witch in order to impress the queen.

Isolde's day has come. In Ireland, her mother, the Queen, lies dying. The throne of the Emerald Isle, one of the last strongholds of the goddess, awaits her. But while Ireland is her destiny, Isolde is already Queen of Cornwall, trapped in a loveless marriage to its mean-spirited King Mark. Her true love is his nephew, Tristan of Lyonesse, who has never married, remaining faithful only to Isolde. Across the sea in France, a young princess who shares Isolde's name enters the story. King Hoel named his daughtor in honor of Isolde of Ireland, and young Isolde of France has always been determined to outdo her beautiful namesake. She is a physician, too, and is called "Blanche Mains," for her white hands and healing touch. Blanche is of an age to be married, and she has chosen her husband—Tristan of Lyonesse. Her father objects, but fate favors Blanche. King Mark has become suspicious of his wife and nephew, and when Tristan is wounded in battle, he sees a chance to separate them for good. Mark sends Tristan to France to be healed by Blanche, who makes the most of the opportunity. Tristan's letters to Isolde are intercepted, and he is told that she has given him up. Near death from his wounds, Tristan sends one last, desparate letter to Isolde by a trusted servant. He is dying, he tells her, and asks for one final sign of their love. If she can forgive him for betraying her, she must come to France in a ship set with white sails. If the ship's sails are black, however, he will know that she no longer loves him. Isolde immediately leaves for France, but when Blanche sees the white-sailed ship from the castle window, she pulls the curtains and tells Tristan that the sails are black. To her horror, he turns his face to the wall and dies. There ends the traditional medieval story of Tristan and Isolde—with betrayal, death, and grief. But the original Irish lengend ends differently, and so does this book, wth magic and drama as only Rosalind Miles could write it.