The second installment in Booth Tarkington's “Growth Series", “The Magnificent Ambersons” is a 1918 novel that won the Pulitzer Prize for fiction in 1919. The story continues exploring the rapid development of the Unites States through the eyes of the Ambersons, a declining aristocratic family living in Indianapolis during the final days of the Civil War. “The Magnificent Ambersons” offers the reader a fantastic glimpse of a unique part of American history and is not to be missed by fans and collectors of Tarkington's seminal work. Newton Booth Tarkington (1869–1946) was an American dramatist and Pulitzer Prize-winning novelist. Among only three other novelists to have won the Pulitzer Prize more than once, Tarkington was one of the greatest authors of the 1910s and 1920s who helped usher in Indiana's Golden Age of literature. Other notable works by this author include: “Monsieur Beaucaire” (1900), “Penrod” (1914), and “The Turmoil” (1915). Read & Co. Classics is republishing this novel now in a new edition complete with a biography of the author from “Encyclopædia Britannica” (1922).

"An indispensable reference work. . . . Anyone with a serious interest in movies will want to have it."--James Naremore, author of Acting in the Cinema

The third installment in Booth Tarkington's “Growth Series", “The Midlander” is a 1923 novel by Booth Tarkington. The story continues exploring the rapid development of the Unites States through the eyes of the Ambersons, a declining aristocratic family living in Indianapolis during the final days of the Civil War. “The Midlander” offers the reader a fantastic glimpse of a unique part of American history and is not to be missed by fans and collectors of Tarkington's seminal work. Newton Booth Tarkington (1869–1946) was an American dramatist and Pulitzer Prize-winning novelist. Among only three other novelists to have won the Pulitzer Prize more than once, Tarkington was one of the greatest authors of the 1910s and 1920s who helped usher in Indiana's Golden Age of literature. Other notable works by this author include: “Monsieur Beaucaire” (1900), “Penrod” (1914), and “The Turmoil” (1915). Read & Co. Classics is republishing this novel now in a new edition complete with a biography of the author from “Encyclopædia Britannica” (1922).

The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.

Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.