2004 was a milestone year for Sabrina the Teenage Witch. Not only did she celebrate her 42nd year as a pop culture phenomenon, she also received a very special makeover. A MANGA makeover! It all began when aspiring writer/cartoonist Tania del Rio entered and won a competition seeking new "manga" talent. "Manga" is the term for Japanese comic books, which have a look and tone all their own.Tania's newfound celebrity caught the eye of Archie Comics publisher of Sabrina... and the teenage witch has never been the same! Now, in the magical edition that collects issues #58 through #61, readers can revisit the first four issues featuring Sabrina's "manga makeover!"

The most frightening terrors of fantasy gaming have deep roots in history, mythology, and popular culture. From the seductive allure of the vampire to the fierce fury of the werewolf, Classic Horrors Revisited spotlights 10 of the spookiest, scariest monsters of the game, providing context, rules, and a host of ideas that breathe new life (and sometimes unlife) into commonly used creatures that all-too often can be uncommonly boring. Written by the macabre Managing Editor of the Pathfinder Adventure Paths, F. Wesley Schneider, Classic Horrors Revisited features exciting takes on the derro, flesh golem, gargoyle, ghost, ghoul, hag, mummy, vampire, werewolf, and zombie.

The magic returns like never before in Sabrina the Teenage Witch: The Magic Within! Sabrina Spellman is your average teenager by day, attending Greendale High where her major crush, Harvey, plays for the school basketball team. But by night, Sabrina enters the Magical Realm, where she hones her witchcraft and attends Charm School with the handsome and mysterious Shinji. Start from the very beginning as Sabrina deals with her two eccentric aunts and her conflicting lives in the Mortal and Magic Realms . . . and stumbles into the beginnings of a plot that will reshape the magical world at its foundation! Written and illustrated by acclaimed artist Tania del Rio, The Magic Within collects the first ten issues of Archie's critically praised American manga

Piers Anthony’s bestselling Xanth series is one of the cornerstones of fantasy, a lively and whimsical interpretation of a genre often criticized for taking itself too seriously. Anthony’s first Xanth novel, A Spell for Chameleon, was initially edited to target a more traditional audience. Now, in an eBook exclusive, A Spell for Chameleon has been reworked line by line—its language matching the simpler, playful way with words that made Piers Anthony an enduring fan favorite. Xanth is an enchanted land where magic rules, a land of centaurs and dragons and basilisks where every citizen has a unique spell to call their own. For Bink of North Village, however, Xanth is no fairy tale. He alone has no magic. And unless he gets some—and fast!—he will be exiled. Forever. But the Good Magician Humfrey is convinced that Bink does indeed have magic. In fact, both Beauregard the genie and the magic wall chart insist that Bink has magic as powerful as any possessed by the King, the Good Magician Humfrey, or even the Evil Magician Trent. Be that as it may, no one can fathom the nature of Bink’s very special magic. This is even worse than having no magic at all . . . and he still faces exile!

Wylie was a remarkably successful and versatile writer, whose literary range included pulp science fiction, social diatribes, concerns for the environment, fantasies, romances, mysteries, warnings against the coming nuclear holocaust, and satires.

Magic is a universal phenomenon. Everywhere we look people perform ritual actions in which desirable qualities are transferred by means of physical contact and objects or persons are manipulated by things of their likeness. In this book S rensen embraces a cognitive perspective in order to investigate this long-established but controversial topic. Following a critique of the traditional approaches to magic, and basing his claims on classical ethnographic cases, the author explains magic's universality by examining a number of recurrent cognitive processes underlying its different manifestations. He focuses on how power is infused into the ritual practice; how representations of contagion and similarity can be used to connect otherwise distinct objects in order to manipulate one by the other; and how the performance of ritual prompts representations of magical actions as effective. Bringing these features together, the author proposes a cognitive theory of how people can represent magical rituals as purposeful actions and how ritual actions are integrated into more complex representations of events. This explanation, in turn, yields new insights into the constitutive role of magic in the formation of institutionalised religious ritual.