Reproduction of the Vol. 3, No. 2 (Jan. 1934) issue of Magic carpet magazine, including advertising pages.

This will be the basic tool for researchers studying the 100-year history of science fiction, fantasy, and weird fiction magazines. Reference Books Bulletin

The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.

Volume four collects the end of Roy Thomas and Barry Windsor-Smith's seminal run on Conan the Barbarian. As with any collaboration between two extremely talented artists, before their partnership on Conan came to an end, Thomas and Windsor-Smith were producing the finest work of their careers up to that point. And like those great collaborations, we're left to wonder, "what if they'd stayed together..." This compilation features two outstanding creators at the top of their game, working on a compelling character who's popularity has never faded. Also included is the first issue of acclaimed artist John Buscema's definitive run. Collecting issues 23 through 26 of the original Marvel series and material from the second and third issues of Savage Tales, originally published in the 1970s. As an added bonus, this volume features Richard Isonove, colorist of Marvel's Origin: The True Story of Wolverine and Neil Gaiman's 1602, bringing to life Thomas and Windsor-Smith's ultimate masterpiece, Red Nails.

In July 1923, less than three years after Westinghouse station KDKA signed on, company engineer Frank Conrad began regular simulcasting of its programs on a frequency in the newly-discovered shortwave range. It was an important event in a technological revolution that would make dependable worldwide radio communication possible for the first time. In subsequent years, countless stations in practically all countries followed suit, taking to shortwave to extend reception domestically or reach audiences thousands of miles away. Shortwave broadcasting would also have an important role in World War II and in the Cold War. In this, his fourth book on shortwave broadcast history, the author revisits the period of his earlier work, On the Short Waves, 1923-1945, and focuses on the stations that were on the air in those early days. The year-by-year account chronicles the birth and operation of the large international broadcasters, as well as the numerous smaller stations that were a great attraction to the DXers, or long-distance radio enthusiasts, of the time. With more than 100 illustrations and extensive notes, bibliography and index, the book is also a valuable starting point for further study and research.

“[Behind Howard’s stories] lurks a dark poetry and the timeless truth of dreams.” –Robert Bloch “Howard’s writing seems so highly charged with energy that it nearly gives off sparks.” –Stephen King The classic pulp magazines of the early twentieth century are long gone, but their action-packed tales live on through the work of legendary storyteller Robert E. Howard. From his fecund imagination sprang an army of larger-than-life heroes–including the iconic Conan the Cimmerian, King Kull of Atlantis, Solomon Kane, and Bran Mak Morn–as well as adventures that would define a genre for generations. Now comes the second volume of this author’s breathtaking short fiction, which runs the gamut from sword and sorcery, historical epic, and seafaring pirate adventure to two-fisted crime and intrigue, ghoulish horror, and rip-roaring western. Kull reigns supreme in “By This Axe I Rule!” and “The Mirrors of Tuzan Thune”; Conan conquers in one of his most popular exploits, “The Tower of the Elephant”; Solomon Kane battles demons deep in Africa in “Wings in the Night”; and itinerant boxer Steve Costigan puts up his dukes of steel inside and outside the ring in “The Bulldog Breed.” In between, warrior kings, daring knights, sinister masterminds, grizzled frontiersmen–even Howard’s stunning heroine, Red Sonya–tear up the pages in stories built to thrill by their masterly creator. And in such epic poems as “Echoes from an Anvil,” “Black Harps in the Hills,” and “The Grim Land,” the author blends his classic characters and visceral imagery with a lyricism as haunting as traditional folk balladry. Lavishly illustrated by Jim and Ruth Keegan, here is a Robert E. Howard collection as indispensable as it is unforgettable. “Howard had a gritty, vibrant style–broadsword writing that cut its way to the heart, with heroes who are truly larger than life.” –David Gemmell “For stark, living fear . . . What other writer is even in the running with Robert E. Howard?” –H. P. Lovecraft