“For Adolf Hitler knew that his own time had nearly come. It was clear to all that as the Fuhrer of Nazi Germany, he must stay to the end and would, of necessity, die in Berlin.” The Magdeburg Relic is a novel of the occult, following the genre pioneered by the great storyteller Dennis Wheatley. It may be one of the most significant in that genre since the last of Wheatley’s occult works. The story is set in Wiltshire, a county characterised by a feeling of lost and former civilisations. It follows the main character, Callum Dood, a vicar and occult investigator who uncovers the conflicting forces of paganism and devil worship. Together with his friends, he battles a cult of Satanists for possession of the Magdeburg Relic, the rediscovered relics of Adolf Hitler, intended by them for occult purposes. After initial skirmishes, action moves to Nuremberg, the site of former Nazi rallies and to a ceremony of necromancy there, where the soul of the ‘Fuhrer’ is raised within the site of the Nazi Parade Grounds. Dood and friends then return to England and pit their wits against their foes in the ruined crypt of a kirk under the former home of the famous occultist Aleister Crowley in Scotland, where they barely escape with their lives. Later, at Carn Brea on the Wiltshire Downs, a gateway to the underworld is opened through which the Satanists hope to release legions of Hitler’s former followers. There, Dood enlists the help of a pagan sect who still converse in the remains of the former Celtic language of that area and venerate the Celtic god Taranis, in order to defeat his opponents. The Magdeburg Relic will appeal to fans of Dennis Wheatley and those who enjoy occult and adventure fiction but with modern cultural references and contemporary characterisation.

Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.

In The Gniezno Summit Roman Michałowski analyses the reasons behind the founding of the Archbishopric of Gniezno during Otto III’s encounter with Bolesław Chrobry in Gniezno in 1000. For Michałowski there were two main reasons. One was the martyrdom of St. Adalbert, the Apostle of the Prussians. His body was buried in Gniezno, which put the Gniezno bishopric on a par with bishoprics founded by the Apostles. This was an important argument in favour of Gniezno being raised to the rank of archbishopric. The other reason was Otto III’s spirituality. The emperor was fascinated with the idea of asceticism and abandoning the world. Hence his political programme, the Renovatio Imperii Romanorum, also had religious aims, and Otto tried to support missions among the pagans. To that end he needed an archbishopric on the north-eastern outskirts of the Empire.

Christopher Buckley’s “hilarious, bawdy, and irreverent frolic of a tale” about a sixteenth-century relic hunter and the artist Albrecht Dürer who conspire to fabricate Christ’s burial shroud reads “like Indiana Jones gone medieval” (USA TODAY). The year is 1517. Dismas is a relic hunter who procures “authentic” religious relics for wealthy and influential clients. His two most important patrons are Frederick the Wise and soon-to-be Cardinal Albrecht of Mainz. While Frederick is drawn to the recent writing of Martin Luther, Albrecht pursues the financial and political benefits of religion and seeks to buy a cardinalship through the selling of indulgences. When Albrecht’s demands for grander relics increase, Dismas and his artist friend Dürer fabricate a shroud to sell to the unsuspecting noble. Unfortunately Dürer’s reckless pride exposes the trickery, so Albrecht puts Dismas and Dürer in the custody of four mercenaries and sends them all to steal Christ’s burial cloth (the Shroud of Chambéry), Europe’s most celebrated artifact. On their journey to Savoy where the Shroud will be displayed, they battle a lustful count and are joined by a beautiful female apothecary. It is only when they reach their destination they realize they are not alone in their intentions to acquire a relic of dubious legitimacy. “A rollicking good time, Christopher Buckley has transported his signature wit and irreverence from the Beltway to sixteenth-century Europe in The Relic Master” (GQ). This epic quest, “as rascally and convivial as any that Mr. Buckley has written” (The Wall Street Journal), is filled with fascinating details about art, religion, politics, and science; Vatican intrigue; and Buckley’s signature wit “holds the reader till the very last page” (The New York Times Book Review).

'In the last two decades, the history of the Counter-Reformation has been stretched and re-shaped in numerous directions. Reflecting the variety and innovation that characterize studies of early modern Catholicism today, this volume incorporates topics as diverse as life cycle and community, science and the senses, the performing and visual arts, material objects and print culture, war and the state, sacred landscapes and urban structures. Moreover, it challenges the conventional chronological parameters of the Counter-Reformation and introduces the reader to the latest research on global Catholicism. The Ashgate Research Companion to the Counter-Reformation presents a comprehensive examination of recent scholarship on early modern Catholicism in its many guises. It examines how the Tridentine reforms inspired conflict and conversion, and evaluates lives and identities, spirituality, culture and religious change. This wide-ranging and original research guide is a unique resource for scholars and students of European and transnational history.

As a major advance in the study of medieval piety the interrelationship between the veneration of relics and of the Eucharistic Host is presented here for the first time. Traced through Christian Antiquity and the early Middle Ages, the veneration of the Host proves to be closely associated with the piety focused on relics of the Saints. Both were kept in the sleeping area of private homes, carried on journeys and placed in graves. They were buried together in altar tables and monks called on both for help in threatening circumstances. Like the relics, the sacred Host was later carried in procession, shown to the people for veneration and used to give blessings. This book offers a rich account of one of the most revealing dimensions of medieval belief and practice.

In The Invention of Race in the European Middle Ages, Geraldine Heng questions the common assumption that the concepts of race and racisms only began in the modern era. Examining Europe's encounters with Jews, Muslims, Africans, Native Americans, Mongols, and the Romani ('Gypsies'), from the 12th through 15th centuries, she shows how racial thinking, racial law, racial practices, and racial phenomena existed in medieval Europe before a recognizable vocabulary of race emerged in the West. Analysing sources in a variety of media, including stories, maps, statuary, illustrations, architectural features, history, saints' lives, religious commentary, laws, political and social institutions, and literature, she argues that religion - so much in play again today - enabled the positing of fundamental differences among humans that created strategic essentialisms to mark off human groups and populations for racialized treatment. Her ground-breaking study also shows how race figured in the emergence of homo europaeus and the identity of Western Europe in this time.