The Magdalen Martyrs, the third Galway-set novel by Edgar, Barry, and Macavity finalist and Shamus Award-winner Ken Bruen, is a gripping, dazzling story that takes the Jack Taylor series to explosive new heights of suspense. Jack Taylor is walking the delicate edge of a sobriety he doesn't trust when his phone rings. He's in debt to a Galway tough named Bill Cassell, what the locals call a "hard man." Bill did Jack a big favor a while back; the trouble is, he never lets a favor go unreturned. Jack is amazed when Cassell simply asks him to track down a woman, now either dead or very old, who long ago helped his mother escape from the notorious Magdalen laundry, where young wayward girls were imprisoned and abused. Jack doesn't like the odds of finding the woman, but counts himself lucky that the task is at least on the right side of the law. Until he spends a few days spinning his wheels and is dragged in front of Cassell for a quick reminder of his priorities. Bill's goons do a little spinning of their own, playing a game of Russian roulette a little too close to the back of Jack's head. It's only blind luck and the mercy of a god he no longer trusts that land Jack back on the street rather than face down in a cellar with a bullet in his skull. He's got one chance to stay alive: find this woman. Unfortunately, he can't escape his own curiosity, and an unnerving hunch quickly turns into a solid fact: just who Jack's looking for, and why, aren't nearly what they seem.

Transcultural Insights into Contemporary Irish Literature and Society examines the transcultural patterns that have been enriching Irish literature since the twentieth century and engages with the ongoing dialogue between contemporary Irish literature and society. Driven by the growing interest in transcultural studies in the humanities, this volume provides an insightful analysis of how Irish literature handles the delicate balance between authenticity and folklore, and uniformisation and diversity in an increasingly globalised world. Following a diachronic approach, the volume includes critical readings of canonical Irish literature as an uncharted exchange of intercultural dialogues. The text also explores the external and internal transcultural traits present in recent Irish literature, and its engagement with social injustice and activism, and discusses location and mobility as vehicles for cultural transfer and the advancement of the women’s movement. A final section also includes an examination of literary expressions of hybridisation, diversity and assimilation to scrutinise negotiations of new transcultural identities. In the light of the compiled contributions, the volume ends with a revisitation of Irish studies in a world in which national identity has become increasingly problematic. This volume presents new insights into the fictional engagement of contemporary Irish literature with political, social and economic issues, and its efforts to accommodate the local and the global, resulting in a reshaping of national collective imaginaries.

The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. This dictionary of fictional detectives helps readers learn about the series in which their favorite detectives are featured. Included are alphabetically arranged entries on roughly 150 fictional detectives, which provide information about the works in which the detective appears, the locales in which the detective operates, the detective's investigative methods, and other important information. Helpful bibliographical citations direct the reader to other interesting works. The volume closes with a selected, general bibliography; various appendices; and an extensive index. The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. Many of the most popular mystery books appear in series, and these series feature carefully developed detectives.

Back in Galway and back to his old drinking habits, Jack Taylor agrees to assist a gypsy in an investigation into the deaths of a number of members of the gypsy clan, deaths that the Guards, the Irish police, are reluctant to investigate.

The enormous popularity of Stieg Larsson's Millennium trilogy has raised awareness of other contemporary European authors of crime fiction. As a result, several of these novelists now reach a receptive American audience, eager for fresh perspectives in the genre. This critical text offers an introduction to current European crime writing by exploring ten of the best new crime nd mystery authors from Sweden (Stieg Larsson and Henning Mankell), Norway (Karin Fossum and Jo Nesbo), Iceland (Arnaldur Indridason), Italy (Andrea Camilleri), France (Fred Vargas), Scotland (Denise Mina and Philip Kerr), and Ireland (Ken Bruen), who are reshaping the landscape of the modern crime novel. Instructors considering this book for use in a course may request an examination copy here.

The Shattered Mirror: Irish Literature and Film, 1990-2005 is a response to changing representations of Irish identity. Interrogating the period of the 'Celtic Tiger' in Ireland, which was accompanied by widespread social change, the book draws on Lacanian psychoanalysis to explore issues such as prosperity, Europeanism, Diaspora, multi-culturalism, decline in religious faith and gender norms. Examining three writers and filmmakers in each section on narrative, drama and film, The Shattered Mirror argues that, in this fifteen years, Irish identity has changed radically.