Veronica Tapas just moved into the city, young and full of hope. She wants to study Graphic design at the NYU. On her first day she walked through the Washington Square park enjoying the view and looking at her collage. Finally! She managed to get herself an interview in an Trading company. Her father is a broker himself so she learned a lot from him and she is good with mathematics and electronics and it's an Assistance job , so what could possibly go wrong? If she only knew ... Rapha La' Rossa is his father's likeness through and through. Not only the looks but also the cold heart. Well known in the underworld as one of the biggest and strongest Mafia clans. But above Raphael Rossa is just an Billion Dollar CEO. .... Somehow Veronica accomplished to anger the CEO to a point where he let's his inner self out. A mistake makes her the prisoner of an Mafia Prinz . He has her body but she captured his soul.

My life only has one purpose, and it's to protect them

NOTE: This is a special edition cover. The content is the same as the original work. She fears the dark. He rules it. Her dresses are too tight, her heels too tall. She laughs too loudly, eats without decorum, and mixes up most sayings in the book. Little do most know it's just a sparkly disguise, there to hide one panic attack at a time. Nobody can crack Gianna's facade . . . no one anyway, until he comes along. Most see a paragon of morality; a special agent upholding the law. In the New York underworld, others know him as a hustler, a killer, his nature as cold as the heart of ice in his chest. Christian Allister has always followed the life plan he'd envisioned in his youth, beneath the harsh lights of a frigid, damp cell. With a proclivity for order and the number three, he's never been tempted to veer off course. But perhaps one should never say never . . . One winter night and their lives intertwine. She hates him-his stone-cold demeanor, his arrogance and too-perceptive eye-but over the years, even as their games consist of insulting each other's looks and intelligence, she begins to live to play with him. Nowhere in Christian's plans had he ever prepared for Gianna. She's chaos embodied, not his type, and married, but none of that can stop his eyes from following her wherever she goes. All along, she doesn't even know that she's his-his frustration, his fascination. His maddest obsession.

Neev Agnihotri , heartless CEO of Nav interprices. A handsome young man who lost his mother at the very young age , as his father followed the lead after couples of the year, leaving him all alone with a beautiful responsibility in this ugly world - his younger sister. He loved her more than his own life. He was living a beautiful life with his baby sister , but unfortunately fate played its game which broke him completely. He is left again in this world, but this time all alone. He kept taking breathe with a fire of revenge burning inside of him so bad, that he can go to any extent just to take his revenge.Aarohi Verma , An Innocent, sweet lovely girl who is loved by her family like a princess. Hatred was a thing which she never got in her life. Her beauty was something for which men were ready to do anything . Like every other girl, she also dreamt of her prince charming, with whom she can spend her life happily. But never in her whole existence, she ever thought that her fate is already locked In His Hell. It's a story of passion, revenge, spark and not to forget , an unknown love.

The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival

Marriage—it's all about love and understanding and being with each other for the rest of your days. For Elise, it means something entirely different. Thrown into a marriage on her father's orders, Elise isn't prepared to be married to the man known as Luca Pasquino. Luca is the next capo in line to take over his father's empire with an iron fist. He's cruel, he's evil, and he's ready to destroy anything and anyone that gets in the way of his plans for complete control. Elise has no idea what is in store for her. All she knows is that she can try to survive her life for the rest of her days with Luca. Update from author: I'm listening! In my zeal to tell my story, I relied on the expertise of others to ensure it went from my head to the printed page, which didn't go exactly as planned. Deadly Vows has now been re-edited to ensure the grammar and punctuation are now as they should be. Enjoy!

The night was like any other for Luna until five men walked into the diner she runs. Once the leader Dimitri Marco lays eyes on her, he knew he wanted her and what Dimitri wants he gets. Dimitri has big plans for his rose, and he will not take no for an answer. Luna can run all she wants, but no man or woman can hide from Dimitri Marco, the king of Russia and the most fear mafia boss in Russia.