Nearly ten years after its original publication, The Maestro Myth continues to enthrall readers with its insightful look into the lives and careers of the world's most celebrated conductors. Now updated and including two new chapters, this volume portrays the politics and inflated economics surrounding the podiums of today's international classical music scene, and the obstacles faced by blacks, women, and gays. From Richard Strauss to Herbert von Karajan to Leonard Bernstein to Simon Rattle, The Maesto Myth examines the world of classical music and the mounting crisis in a profession where genuine talent grows ever scarcer. It is a must-have resource for music aficiionados as well as anyone interested in the behind-the-scenes lives of these music masters. Book jacket.

This book debunks today's largely uncritical view of the conductor's role, taking to task the over-paid, over-praised and self-inflated men and women who have mounted the conductor's podium since the turn of the century. Few top conductors escape unscathed: Lebrecht is tireless in his exposure of Machiavellian shennanigans, professional rivalry, personal intrigue and the increasing marketing pressures exacerbated by the vast sums now offered for top recording and performing contracts.

A history of the villains and heroes of contemporary classical music, looking at the star system, commercialism, recording and management politics, concert agencies, and the festival racket. Includes bandw photos. For general readers. Annotation copyrighted by Book News, Inc., Portland, OR.

Nearly ten years after its original publication, The Maestro Myth continues to enthrall readers with its insightful look into the lives and careers of the world's most celebrated conductors. Now updated and including two new chapters, this volume portrays the politics and inflated economics surrounding the podiums of today's international classical music scene, and the obstacles faced by blacks, women, and gays. From Richard Strauss to Herbert von Karajan to Leonard Bernstein to Simon Rattle, The Maesto Myth examines the world of classical music and the mounting crisis in a profession where genuine talent grows ever scarcer. It is a must-have resource for music aficiionados as well as anyone interested in the behind-the-scenes lives of these music masters. Book jacket.

The close friendship between Martin Simmonds and violin prodigy Dovidl Rappoport, two Jewish boys living in London between the 1930s and the end of World War II, is threatened by the unexpected disappearance of Dovidl on the eve of his debut performance.

A collection of over ninety frightening urban legends, arranged by theme.

Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Following Mahler’s every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. Why Mahler? is a book that shows how music can change our lives.