The Maestro Monologue teaches you to tap into the inner narrative that strips power from the intruder and awakens natural power once again. Never again will you doubt your capacity to achieve great heights.

What does realism about the quantum state imply? What follows when quantum theory is applied without restriction, if need be, to the whole universe? These are the questions which an illustrious team of philosophers and physicists debate in this volume. All the contributors are agreed on realism, and on the need, or the aspiration, for a theory that unites micro- and macroworlds, at least in principle. But the further claim argued by some is that if you allow the Schrödinger equation unrestricted application, supposing the quantum state to be something physically real, then this universe is one of countlessly many others, constantly branching in time, all of which are real. The result is the many worlds theory, also known as the Everett interpretation of quantum mechanics. The contrary claim sees this picture of many worlds as in no sense inherent in quantum mechanics, even when the latter is allowed unrestricted scope and even given that the quantum state itself is something physically real. For this picture of branching worlds fails to make physical sense, let alone common sense, even on its own terms. The status of these worlds, what they are made of, is never adequately explained. Ordinary ideas about time and identity over time become hopelessly compromised. The concept of probability itself is brought into question. This picture of many branching worlds is inchoate, it is a vision, an error. There are realist alternatives to many worlds, some even that preserve the Schrödinger equation unchanged. Twenty specially written essays, accompanied by commentaries and discussions, examine these claims and counterclaims in depth. They focus first on the question of ontology, the existence of worlds (Part 1 and 2), second on the interpretation of probability (Parts 3 and 4), and third on alternatives or additions to many worlds (Parts 5 and 6). The introduction offers a helpful guide to the arguments for the Everett interpretation, particularly as they have been formulated in the last two decades.

From #1 New York Times bestselling author Jeffrey Archer, the Clifton Chronicles continues with Best Kept Secret. 1945, London. The vote in the House of Lords as to who should inherit the Barrington family fortune has ended in a tie. The Lord Chancellor's deciding vote will cast a long shadow on the lives of Harry Clifton and Giles Barrington. Harry returns to America to promote his latest novel, while his beloved Emma goes in search of the little girl who was found abandoned in her father's office on the night he was killed. When the general election is called, Giles Barrington has to defend his seat in the House of Commons and is horrified to discover who the Conservatives select to stand against him. But it is Sebastian Clifton, Harry and Emma's son, who ultimately influences his uncle's fate. In 1957, Sebastian wins a scholarship to Cambridge, and a new generation of the Clifton family marches onto the page. But after Sebastian is expelled from school, he unwittingly becomes caught up in an international art fraud involving a Rodin statue that is worth far more than the sum it raises at auction. Does he become a millionaire? Does he go to Cambridge? Is his life in danger? Best Kept Secret, the third volume in Jeffrey Archer's bestselling series, will answer all these questions but, once again, pose so many more.

Jodorowsky’s memoirs of his experiences with Master Takata and the group of wisewomen--magiciennes--who influenced his spiritual growth • Reveals Jodorowsky turning the same unsparing spiritual vision seen in El Topo to his own spiritual quest • Shows how the author’s spiritual insight and progress was catalyzed repeatedly by wisewoman shamans and healers In 1970, John Lennon introduced to the world Alejandro Jodorowsky and the movie, El Topo, that he wrote, starred in, and directed. The movie and its author instantly became a counterculture icon. The New York Times said the film “demands to be seen,” and Newsweek called it “An Extraordinary Movie!” But that was only the beginning of the story and the controversy of El Topo, and the journey of its brilliant creator. His spiritual quest began with the Japanese master Ejo Takata, the man who introduced him to the practice of meditation, Zen Buddhism, and the wisdom of the koans. Yet in this autobiographical account of his spiritual journey, Jodorowsky reveals that it was a small group of wisewomen, far removed from the world of Buddhism, who initiated him and taught him how to put the wisdom he had learned from his master into practice. At the direction of Takata, Jodorowsky became a student of the surrealist painter Leonora Carrington, thus beginning a journey in which vital spiritual lessons were transmitted to him by various women who were masters of their particular crafts. These women included Doña Magdalena, who taught him “initiatic” or spiritual massage; the powerful Mexican actress known as La Tigresa (the “tigress”); and Reyna D’Assia, daughter of the famed spiritual teacher G. I. Gurdjieff. Other important wisewomen on Jodorowsky’s spiritual path include María Sabina, the priestess of the sacred mushrooms; the healer Pachita; and the Chilean singer Violeta Parra. The teachings of these women enabled him to discard the emotional armor that was hindering his advancement on the path of spiritual awareness and enlightenment.

In Mirrors, Galeano smashes aside the narrative of conventional history and arranges the shards into a new pattern, to reveal the past in radically altered form. From the Garden of Eden to twenty-first-century cityscapes, we glimpse fragments in the lives of those who have been overlooked by traditional histories: the artists, the servants, the gods and the visionaries, the black slaves who built the White House, and the women who were bartered for dynastic ends