Originally appeared in the print anthology Three Weddings and a Kiss. Gwendolyn Adams is about to propose to an earl. On his deathbed. Gwendolyn Adams isn't shocked at being asked to save a handsome earl's dying line, even when she learns the prospective bridegroom is seriously ill and possibly insane. She's quite a good nurse, after all, and her family is famous for producing healthy male children. Those stories about his riding the moors half-naked on a pale white horse? Extremely intriguing—especially after she gets her first look at the gorgeous lunatic. The Earl of Rawnsley wants only to lose what's left of his mind in peace and privacy. But his busybody relatives have saddled him with a surprise bride and orders to sire an heir forthwith. (And they say he's mad?) But with Gwendolyn, his health is returning, and his resistance ... crumbling. Is it possible that love is the finest madness of all?

She was the sweet daughter of a respectable lord. He was the son of the infamous Mad Earl. Their parents had planned their marriage when they were young, but he always knew she was too pure and innocent to be married to a man like him. So he pushed her away. He doesn't expect her to push back. And he definitely doesn't suspect that she's the veiled woman waiting in his room at the brothel... Check out the latest standalone, spicy novella by Bella Moxie!

Designed to arrange matches of rank and affluence, the powerful Ministry of Marriage has no interest in love. But when does the heart ever play by the rules? Lady Rosamund Westruther has no objection to the match arranged for her by the Ministry—until she meets her intended. Gruff, stubborn Griffin, Earl of Tregarth, is hardly the charming nobleman the classic beauty has dreamed of for so long. While a proper lady can't cry off, she can demand a proper courtship ... Griffin is aware of his duty to wed—and more convinced than ever that the lovely Rosamund has no place with a man like him. Built for fields and stables rather than drawing rooms, Griffin doubts he can win her in the polite manner society requires. But with every passing day, the attraction between them flares higher and hotter. Maybe there is more to love than meets the eye...

The funny, sad and compelling diary kept by an overweight teenage girl that became the basis for the British television sensation of the same name available to stream on HULU. It's 1989 and Rae Earl is a fat, boy-mad 17-year-old girl, living in Stamford, Lincolnshire with her mum and their deaf white cat in a council house with a mint green bathroom and a refrigerator Rae can't keep away from. She’s also just been released from a psychiatric ward. My Mad Fat Diary is the hilarious, harrowing and touching real-life diary Rae kept during that fateful year and the basis of the hit British television series of the same on HULU. Surrounded by people like her constantly dieting mum, her beautiful frenemy Bethany, her mates from the private school up the road (called “Haddock”, “Battered Sausage” and “Fig”) and the handsome, unattainable boys Rae pines after (who sometimes end up with Bethany...), My Mad Fat Diary is the story of an overweight young woman just hoping to be loved at a time when slim pop singers ruled the charts. Rae's chronicle of her world will strike a chord with anyone who's ever been a confused, lonely teenager clashing with her parents, sometimes overeating, hating her body, always taking herself VERY seriously, never knowing how positively brilliant she is and keeping a diary to record it all. My Mad Fat Diary – 365 days with one of the wisest and funniest girls in England.

For the first time since 1931, the modern art collection of Philadelphia artist and collector Earl Horter has been reassembled. This great collection included some of the greatest works by the most renowned and respected figures in Modern Art. However, a

Miss Ada Quicksilver, a student of London’s Lovelace Academy for Promising Young Women, is spending her holiday in Ireland to pursue her anthropological study of fairies. She visits Dublin’s absinthe bars to investigate a supposed association between the bittersweet spirit and fairy sightings. One night a handsome Irishman approaches her, introducing himself as Edward Donoghue. Edward takes absinthe to relieve his sleepwalking, and she is eager to hear whether he has experience with fairies. Instead, she discovers that he’s the earl of Meath, and that he will soon visit a mysterious ruin at Newgrange on the orders of his cousin, the beautiful, half-mad Queen Isolde. On learning about Ada’s area of study, he invites her to accompany him. Ada is torn between a sensible fear of becoming entangled with the clearly troubled gentleman and her compelling desire to ease his suffering. Finally she accepts his invitation, and they arrive in time for the winter solstice. That night, the secret of Edward’s affliction is revealed: he is, in fact, a lord in two worlds and can no longer suppress his shadow self. Little does either of them realize that their blossoming friendship—and slowly kindling passion—will lead to discoveries that wrench open a door sealed for centuries, throwing them into a war that will change Ireland forever.