Looking East John Beardsley -- Spirit Into Matter: Sculpture as a Life-Form Aneta Giorgievsa-Shine -- Plates -- Nature into Art: A Conversation with Emilie Brzezinski Barbara Rose -- An Interview with Emilie Brzezinski Aneta Giorgievsa-Shine.

An adventurous story of a frontier boy raised by Indians, The Light in the Forest is a beloved American classic. When John Cameron Butler was a child, he was captured in a raid on the Pennsylvania frontier and adopted by the great warrrior Cuyloga. Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them.

The rapidity of the Mohammedan movement in its sweep westward is highly significant. A succession of conquerors came to the front-their names need not bother us-and by 668 what is now Tripoli was a Moslem state. Algeria went down with little resistance and the Arab hordes swept onward to the Pillars of Hercules. The story is told that Akba, who raided Morocco, rode his horse far out into the surf and cried, "Great God, if I were not stopped by this raging sea, I would go to the nations of the west, preaching the unity of they name and putting to the sword those who would not submit."-from Chapter II: "Strongholds of Mohammedanism"When missionary Cornelius Patton returned to Boston from an extended trip to Africa just before World War I, his friends and colleagues assumed he would write a book about his trip. "That," Patton assures us in the "Personal Word" that opens The Lure of Africa, "is exactly what I shall not do." Fortunately, Patton's friends and colleagues prevailed, and in 1917, he published this account of his journey, a lyrical and introspective work that hints at the conflicts this white man abroad on the Dark Continent may have felt. For 21st-century readers, it is a fascinating and unexpected look at a man who found Africa "horribly heathenish but mighty interesting" but nevertheless sought to mold this exotic land into something comfortable and familiar.OF INTEREST TO: students of the history of Christianity in Africa, armchair travelersAUTHOR BIO: American writer CORNELIUS HOWARD PATTON (1860-1939) is also the author of Business of Missions (1924), Eight O'Clock Chapel (1927), and God's Word (1931).