This omnibus combines three classic works on the history and culture of that splendid city during British rule: Lucknow: The Last Phase of Oriential Culture, A Fatal Friendship: The Nawabs, the British, and the City of Lucknow, and The Making of Colonial Lucknow: 1856-1877.

Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.

Examining the history of Lucknow, Veena Talwar Oldenburg shows how the results of its transformation after the Mutiny of 1857 continue to pervade the city even today. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In the middle of the nineteenth century a new family of hereditary musicians emerged in the royal court of Lucknow and subsequently rose to the heights of renown throughout North India. Today this musical lineage, or ghar n, lives on in the music and memories of only a small handful of descendants and players of the family instrument, the sarod. Drawing on six years of ethnographic and archival research, and fifteen years of musical apprenticeship, Max Katz explores the oral history and written record of the Lucknow ghar n ,tracing its displacement, loss of prestige, and erasure from the collective memory. In doing so he illuminates a hidden history of ideological and social struggle in North Indian music culture, intervenes in ongoing debates over the anti-Muslim agenda of Hindustani music's reform movement, and reanimates a lost vision in which Muslim scholar-artists defined the music of the nation. An interdisciplinary, postmodern counter-history, Lineage of Loss offers a new and unsettling narrative of Hindustani music's encounter with modernity.

The idea that India is a Hindu majority nation rests on the assumption that the vast swath of its population stigmatized as 'untouchable' is, and always has been, in some meaningful sense, Hindu. But is that how such communities understood themselves in the past, or how they understand themselves now? When and under what conditions did this assumption take shape, and what truths does it conceal? In this book, Joel Lee challenges presuppositions at the foundation of the study of caste and religion in South Asia. Drawing on detailed archival and ethnographic research, Lee tracks the career of a Dalit religion and the effort by twentieth-century nationalists to encompass it within a newly imagined Hindu body politic. A chronicle of religious life in north India and an examination of the ethics and semiotics of secrecy, Deceptive Majority throws light on the manoeuvres by which majoritarian projects are both advanced and undermined.

The eighteenth century was a time of profound upheaval when economic and political control of southern India passed from native kings to the East India Company. Hand-in-hand with the resultant conflicts and skirmishes, a process of cultural sharing was gaining ground which went on to manifest itself in the form of a flourishing imperial cultural in the nineteenth century.

The macro-region of South Asia – including Bangladesh, India, Nepal, Pakistan, and Sri Lanka – today supports one of the world’s greatest concentrations of cities, but as James Heitzman argues in the first comprehensive treatment of urban South Asia, this has been the case for at least 5,000 years. With a strong emphasis on the production of space and periodic excursions into literature, art and architecture, religion and public culture, this interdisciplinary study is a valuable text for students and scholars interested in comparative history, urban studies, and the social sciences.