Robert Williams: The Father of Exponential Imagination is a comprehensive career spanning, comprehensive collection of the iconic painter’s fine art, including every one of his remarkable oil paintings along with a presentation of his drawings, sculptures, and works in other media. Simply put, this is the art book of the decade, and the book that Williams has been working toward his entire career. In the late 20th and early 21st century, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some of the figurative graphics that formal art academia tended to reject: comic books, movie posters, trading cards, surfer art, hot rod illustration, to mention a few. This alternative art movement found its most apt participant in one of America’s most controversial underground artists, the painter, Robert Williams. It was this artist who brought the term “lowbrow” into the fine arts lexicon, with his groundbreaking 1979 book, The Lowbrow Art of Robt. Williams. Williams pursued a career as a fine arts painter years before joining the art studio of Ed “Big Daddy” Roth in the mid-1960s. From this position he moved into the rebellious, anti-war circles of early underground comix, as one of the celebrated ZAP cartoonists. Featuring an introductory essay by Coagula Art Journal founder Mat Gleason along with a new art manifesto and foreword by Williams himself, as well as tons of rare photos and ephemera.

An all-new collection of paintings and sculpture by art legend Robert Williams. First exhibited at the Los Angeles Municipal Art Gallery in early 2015, the work in this oversized, hardcover exhibition catalog is accompanied by insightful essays by the artist. --- "The current international capitol of artistic sophistication is New York City. Ever since the end of the Second World War, every small city in the United States that has an art community has looked to New York for cultural parenting. However, an interesting anomaly has developed over the years. "Sophistication," like any other folkway, travels slowly with misinterpretations happening along the way. By the time high culture reached the West Coast it had traded its Brooks Brothers suit for cut-offs, a Hawaiian shirt, and flip-flops. Art on the West Coast, as much as it tries to maintain blue blood affectations shows mutations. It just doesn't have the aloof adroit coldness the Eastern Seaboard art society seems to portray." - Robert Williams, from his introduction to Slang Aesthetics

This book, the first one featuring the amazing artwork of Robert Williams, has been unavailable for many years. The book contains an overview of Williams's early work until 1979. It features images from t-shirt designs, comics, posters and oil paintings.

With its origins in the 1960s hot rod culture and underground comix and rock music posters, Pop Surrealism/Lowbrow Art has evolved and expanded into the most vilified, vital, and exciting movement in contemporary art. Pop Surrealism is the first book to offer a comprehensive survey of this movement featuring twenty-three of today's most important and interesting artists.

Collects 60 of Williams's paintings. Hot rods, monsters, girls in bikinis and taco stands are among the prominent elements. The chromatic chaos disseminated by Williams in this multimedia book is about as masterful as it can get in the wood-pulp page-trade. Heisenberg's SurRealities involved continual change and self-determined subjective, bizarre singularities. Introduction by Timothy Leary.

Brings together work of leading Lowbrow and Pop Surrealist artists. With over 100 examples by two dozens artists. Provides a timeline of the movement with graphic artists profiles.

The painter Robert Williams brought the term "lowbrow" into the fine artslexicon, defining West Coast Outlaw culture into alternative art movement of thelate 20th century (the first break-away art movement in California since theEucalyptus School's estrangement from Impressionism in the late 1920s). Hiswork, which features bold use of underground cartoon figuration, paired withharshly contrasted psychedelic colors, spans through the "Big Daddy Roth" carculture of the early '60s, the underground comics movement led by Robert Crumbin the late '60s and early '70s, punk in the late '70s, to today: it became aneasily recognizable hallmark throughout the 1980s and 1990s