'Happiness beyond all words! A life of peace and love, entire and whole!' A collection of cantos from Paradiso, the most original and experimental part of the Divina Commedia. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

Dante’s Divine Comedy has long enchanted its readers with its gruesome depictions of sordid sin, the lengths we go to find cleansing, and the hope of eternal life. In this book, Mosley seeks to respond to Dante’s great poem with poetry of his own. For each of the one hundred cantos, Mosley has provided a ten-line poem written in terza rima, the rhyme scheme of Dante’s epic. These poems are intended both to stand on their own and serve as a reflection on the Divine Comedy. Readers unfamiliar with the source text will be inspired to pick it up. Longtime readers of Dante’s journey through the afterlife will find familiar themes presented in a new way.

Dante is known to most readers outside Italy for his gritty descriptions of the Inferno, but there is another, gentler side to his poetry, which found expression throughout his career in verses that made him, together with his friend Guido Cavalcanti, the leading love poet of his generation.From the ballads and rime of his youth to the heart-rending lyrics written on the death of Beatrice and the more sober, philosophical canzoni of his later years, this volume provides the only English edition of the great Florentine's complete love poems, in brilliant verse translations by Dante specialists J.G. Nichols and Anthony Mortimer.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.

As one of the supreme Christian epic poems, Dante's Divine Comedy provides not only far more personality and emotional depth than the pagan epics, it also opens up all the issues on which Western history turns - truth, beauty, goodness, sin, sanctification, and triumph. For all that, C.S. Lewis loved the Comedy for its seemingly effortless poetry. In this guide Peter Leithart uses a biblical angle to open up the Comedy for students, high school and up. He begins his discussion by examining the meaning and place of the courtly love tradition and then introduces us to the varied levels of meaning throughout the work. In the heart of the guide, Leithart walks us carefully through the craft and symbolism of each progressive stage - Inferno, Purgatorio, and Paradiso. Each section contains helpful study questions.

" ... Concise explanations and descriptions - easily read and readily understood - of what we know of the chain of events and processes that connect the Sun to the Earth, with special emphasis on space weather and Sun-Climate."--Dear Reader.

Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.