Originally published in 1987, this book contains the Love Sgons of the Carmina Burana, alongisde a select bibliography and textual notes. The collection of poems now known as the Carmina was given its name by Schmeller in 1847, and the Carmina Burana comprises the best and most representative products of goliardism and remains the definitive manifestation of the goliardic movement.

Walsh's book should be a vade mecum for anyone who would teach the Carmina Burana on any level and be of considerable value in general to medievalists, comparatists, and those in related disciplines.--New England Classical Newsletter and Journal "Teachers, students, and any reader interested in medieval lyric will find this volume a clear and useful approach to intrinsically interesting texts.--Renaissance Quarterly "The most scholarly and most helpful presentation of a group of these captivating lyrics that has yet appeared in English.--Peter Dronke, University of Cambridge "A superb volume, fully worthy of these famous but often misunderstood poems. P. G. Walsh's unmatched erudition in Latin literature furnishes lucid grammatical explanations, incisive analysis of goliardic literary values and technique, and illuminating references to ancient and medieval parallels. His prose translations make the poems accessible also to those with little or no Latin.--Janet M. Martin, Princeton University

The famous - and bawdy - lyrics that inspired Carl Orf's stirring and moving music. and the dying swan ....

This is a selection from the 13the century collection of secular latin poems. Some are serious (eg Crusade poems) but the majority are light, including many love poems. A number of items from the Carmina are well known as text for Carl Orff's 'Scenic Cantata'.

Carl Orff's 24 selections from 200 poems of the Carmina Burana celebrate the universal range of human emotion and experience: passion, longing, exuberance, humor, rebellion, ennui, resignation. Now tender, now tragic; secular yet reverent; the poems of the carmina touch the chords of our purest and darkest spirituality. An excellent resource for the student, the performer, the audience and the general reader, this dual language edition provides two moving translations from the original Latin, informative essays, and facing vocabulary. This text will enrich understanding and heighten appreciation of these beloved medieval poems.

The love song is timeless. From its beginnings, it has been shaped by bohemians and renegades, slaves and oppressed minorities, prostitutes, immigrants and other excluded groups. But what do we really know about the origins of these intimate expressions of the heart? And how have our changing perceptions about topics such as sexuality and gender roles changed our attitudes towards these songs? In Love Songs: The Hidden History, Ted Gioia uncovers the unexplored story of the love song for the first time. Drawing on two decades of research, Gioia presents the full range of love songs, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day. The book traces the battles over each new insurgency in the music of love--whether spurred by wandering scholars of medieval days or by four lads from Liverpool in more recent times. In these pages, Gioia reveals that the tenderest music has, in different eras, driven many of the most heated cultural conflicts, and how the humble love song has played a key role in expanding the sphere of individualism and personal autonomy in societies around the world. Gioia forefronts the conflicts, controversies, and the battles over censorship and suppression spurred by such music, revealing the outsiders and marginalized groups that have played a decisive role in shaping our songs of romance and courtship, and the ways their innovations have led to reprisals and strife. And he describes the surprising paths by which the love song has triumphed over these obstacles, and emerged as the dominant form of musical expression in modern society.

This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.