The Love Songs of a Lonely Man is a selection of poems wtitten over a twenty year span, but 80 ercent or more are recent. Some of the "love songs" are conventional, at least in the sence of wooing and heart palpitations, the blues, and evanescence. That the conventional themes are given unconventional treatment is suggested by the titles of some of the poems: "The Love Song of an Inadequate Man," "Advice to a Sophomore Co-ed Who's suffering From Acute Horniness," "Forgive Me, Wife." However, most of the poems are love songs in the broader sense of passionate engagement with the world and with life at this time, under these circumstances. The author has had varied experiences as a laborer, medical lab tech, radio-TV anouncer and sportscaster, university professor, principal in large-scale grant projects, officer in a funding agency, mountain route newspaper carrier, and many other ups and downs. The perspectives in his poems, accordingly, are many, ranging from those of a bag lady to those of the "Sibyl on the Rhine," from those of a student who has shot fellow students to those of a grumpy old man who can't sleep and is discussing sex in his imagination with "famous dead men" - Picasso, Goethe, Hesse. The poems themselves are in several styles and forms, but all are "accessible." Some are sololoquies in voices as varied as those of Hildegard von Bingen, oedipus, a Death Mother, a Latino bead artsist, and a Union (Civil War) soldier. the poems demonstrate a flair for psychological insight, storytelling, and powerful imagery. speaking in his own voice the author is always passionate, is often cranky, sometimes has a twinkle in his eye. One motif is american culture in such poems as "The Bellringers of Palm Springs," "Of Meadows and Parking Lots," "The 600 Block of Elm Between Pleasant and Arcadia," and several others. A second major motif is religion; the author's perspective is revealed in "Sin Is" and is elaborated in "Osiris and Medea," "Oedipus Instructs the Tribes of Isreal," "Hildegard Confesses to Febrile and Apasionata," and others. Still a third major motif is simplistic morality and moral evil, found in "How Am I Different," "Errors of Love," "Are Women the Cause of Men?" "Dearest Lucinda," and others. And a fourth motif is art and artists, in such poems as "You Can't See a Tabula Rasa Until It Disappears," "How a Poet May Self-Aggrandize," and "The poet of Beads." A feature of the collection is a group of poems culled from a once large group based on dreams women share with the author. Over time those inlcuded in Love Songs have become "more poem that dream." the poems are unambiguously feminine in detals, imagry, and themes. "Encounter With the Turban and His Beast" is unambiguously humorous and has an odd resonance with the events of 9/11. "I Hold Pain in My Arms" is based on a dream following an abortion. And "Dona Nobis Pacem" is a vivid women-on-the-verge-of-a-nervous-breakdown dream-poem. Though it is not an emphasis of this collection of poems, some autobiographical details leach out. The unpleasant details are fiction and the pleasant details are lies.

A man who is losing the ability to see color. A killer who believes in divine justice. A woman ashamed of her work. A zombie looking for love. These, as well as others, are featured here within this collection of stories by Matt Eaton. Each a tale about a lonely person, reaching out and trying to find someone, anyone, to share in their existence. It is a mix tape of love, loss, and the little pieces that make us human.

I made this mixtape for you. It may be a little unconventional, you know, full of the kind of songs you won't find on the radio stuff like a song about a zombie searching for love on Valentine's Day, or the one about a man who is slowly losing his ability to see color, or the song about a guy who kills little girls. They're weird little songs but I think you'll enjoy them. I decided to name this tape Love Songs for Lonely People because that's the theme of it. Each of the 19 tracks is about a lonely person reaching out and trying to find someone. It's a mix tape of love, loss, and the little pieces that make us human. I also added a little 4 song bonus EP, it doesn't exactly fit the theme of the main tape, but they are some songs that I know you like. Anyway, give it a listen, and I hope you'll enjoy it.

One of the most beloved popular musicians of our time tells the story of his extraordinary life. This is Willie Nelson's complete, unvarnished story, told in his voice and leaving no significant moment or experience untold, from Texas, Nashville, Hawaii, and beyond. Having recently turned 80, Nelson is ready to shine a light on all aspects of his life, including his drive to write music, the women in his life, his collaborations, and his biggest lows and highs--from his bankruptcy to the founding of Farm Aid. An American icon who still tours constantly and headlines music festivals, Willie Nelson and his music have found their way into the hearts and minds of fans the world over, winning ten Grammys and receiving Kennedy Center Honors. Now it's time to hear the last word about his life -- from the man himself. "Every page radiates authenticity." --Washington Post

The author describes his attempt to write songs and get them recorded.

The Bronzes of Grand Junction is a verse drama in twelve scenes. It is suitable for full scale theatrical production, or minimal production, or readers' theater presentation (à la Under Milkwood, or "pageant" production (everyone in town plays a role). The players include a Narratorand six men and six women of any combintion of ages, race, ethnicity, and body build. These 12 players each play/read many characters. The Bronzes of Grand Junction are-were- ordinary people going about their ordinary lives on an ordinary day when suddenly, instantly bronzed, like baby shoes, "bestatued" right in from of reliable eyewitnesses. They are "a women with shopping bags," "a businessman, " "a homeless man," "a pretty gilr," and "a running child." The cause of this "miracle" is unknown and, as it turns out, unknowable. Could be the work of God, aliens, an artist, a magician, or a scientist putting an odd spin on genetics. The effect on the town of this phenomenon is far-reaching but not particularly profound. Local quarrel over whether the bronzes deserve "a decent burial" or should serve as a tourist attraction (of vast commercial benefit to the town, or someone). Visitors overrun the site where the bronzes sit and stand. Tourists arrive by the busload. Blue-collar folk, scientists, religious persons, cranks, poets, researchers, professors, and teenagers speculate about the cause of the phenomenon and weave fantasias about who th ebronzed ones were and why them. The bronzes give the world something to talk about and are the focus, therefore, of a wide range of speculation, personal projections, contentious opinions, and even a few thoughtful, compassionate responses. The responses are usually off-base as far as the actual lives of those bronzed, but would that not be expected? The effect of all these repsonses is an extended colloquy by (mostly) Americans (mostly) about themselves and their culture. That The Bronzes of Grand Junction is a "verse drama" should not alarm or put off those who have a negative attitude about "poetry." The play reads, and will strike the ear, as almost normal speech. The author uses rhyme to inspire better language than he can ordinarly muster, and he likes rhythm. Here are a couple of examples, first Abraham Falling Blue Father speaking about "the woman with shopping bags": Oh cruel white-man fate! She is searching in a Target sack of heartless plastic for the answer to her every prayer, but she can search in those wishbags forever, and not find the answer even to wrinkles or vaginal dryness, let alone flat affect or unhappiness or anything serious. THIRD WOMAN FROM CAMBRIDGE And the inexorable spin of this, our bicycle in space, makes us upright even when we're upside down, and for a few turns warms our faces with the light of dawn, and says, to me at least, lucky you, you get to try again.

From Geisel Honor-winning author/illustrator Salina Yoon comes a lush, heartwarming audio eBook about unbreakable friendship and celebrating what makes you unique. Dennis is an ordinary boy who expresses himself in extraordinary ways. Some children do show-and-tell. Dennis mimes his. Some children climb trees. Dennis is happy to BE a tree . . . But being a mime can be lonely. It isn't until Dennis meets a girl named Joy that he discovers the power of friendship--and how special he truly is! From the beloved author/illustrator of the Penguin and Bear series comes a heartwarming story of self-acceptance, courage, and unbreakable friendship for anyone who has ever felt "different." Don't miss these other books from Salina Yoon! The Penguin series Penguin and Pinecone Penguin on Vacation Penguin in Love Penguin and Pumpkin Penguin's Big Adventure Penguin's Christmas Wish The Bear series Found Stormy Night Bear's Big Day The Duck, Duck, Porcupine series Duck, Duck, Porcupine My Kite is Stuck! And Other Stories That's My Book! And Other Stories Be a Friend