The Love Affairs of Lord Byron by Francis Henry Gribble has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Whether a book is called "The Love Affairs of Lord Byron" or "The Life of Lord Byron" can make very little difference to the contents of its pages. Byron's love affairs were the principal incidents of his life, and almost the only ones. Like Chateaubriand, he might have spoke of "a procession of women" as the great panoramic effect of his career. He differed from Chateaubriand, however, in the first place, in not professing to be very much concerned by the pageant, and, in the second place, in being, in reality, very deeply affected by it. Chateaubriand kept his emotions well in hand, exaggerating them in retrospect for the sake of literary effect, picturing the sensibility of his heart in polished phrases, but never giving the impression of a man who has suffered through his passions, or been swept off his feet by them, or diverted by them from the pursuit of ambition or the serene cult of the all-important ego. In all Chateaubriand's love affairs, in short, red blood is lacking and self-consciousness prevails. He appears to be equally in love with all the women in the procession; the explanation being that he is more in love with himself than with any of them. In spite of the procession of women, which is admitted to have been magnificent, it may justly be said of Chateaubriand that love was "of his life a thing apart."

Whether a book is called "The Love Affairs of Lord Byron" or "The Life of Lord Byron" can make very little difference to the contents of its pages. Byron's love affairs were the principal incidents of his life, and almost the only ones. Like Chateaubriand, he might have spoke of "a procession of women" as the great panoramic effect of his career. He differed from Chateaubriand, however, in the first place, in not professing to be very much concerned by the pageant, and, in the second place, in being, in reality, very deeply affected by it. Chateaubriand kept his emotions well in hand, exaggerating them in retrospect for the sake of literary effect, picturing the sensibility of his heart in polished phrases, but never giving the impression of a man who has suffered through his passions, or been swept off his feet by them, or diverted by them from the pursuit of ambition or the serene cult of the all-important ego. In all Chateaubriand's love affairs, in short, red blood is lacking and self-consciousness prevails. He appears to be equally in love with all the women in the procession; the explanation being that he is more in love with himself than with any of them. In spite of the procession of women, which is admitted to have been magnificent, it may justly be said of Chateaubriand that love was "of his life a thing apart."

Finally available, a high quality book of the original classic edition of The Love Affairs of Lord Byron. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Francis Henry Gribble, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Love Affairs of Lord Byron in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Love Affairs of Lord Byron: Look inside the book: Unpleasant though the subject is, he must examine the so-called evidence for fear lest he should be supposed to feel himself unable to rebut it; and he is under the stronger compulsion to do so because the mud thrown by Lord Lovelace is not thrown at Byron only, but also at Augusta Leigh, a most worthy and womanly woman, and the best of sisters and wives. ...Instead of doing so, he went on felling timber, and effected the illegal sale of the RochdalePg 13 property already referred too; and for four more years—from the age of six, roughly speaking, to the age of ten—the heir apparent to the barony was living poorly in an Aberdeen “upper part,” while the actual baron was living in luxury and state at Newstead.

Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.