We hear routinely about dinosaurs unearthed in the Gobi Desert, about new marsupials found in the forests of Madagascar, about darling deep sea squid in the polar regions. These discoveries tend to be accompanied by wondrous feats of adventuring scientists. But just as one can experience the world in a backyard, or farther reaches of the world with a good book and a comfy armchair, scientists themselves know that the natural history museums of the world contain some of the best terrain for discovering new species. In recent years scientists have found in museum drawers and cabinets a new rove beetle collected by Darwin, a tiny lungless salamander thinner than a matchstick, a monkey from the Brazilian rainforest, and a 40 million year old beardog. The Lost Species shares the thrill of spelunking in museum basements, digging in museum trays, and breathing new life in taxidermied beings--a in a days' adventure for the scientists in this book. These discoveries help tell the story of life, and the priceless collections of natural history museums.

A groundbreaking study of how emotions motivate attempts to counter species loss. This groundbreaking book brings together environmental history and the history of emotions to examine the motivations behind species conservation actions. In Recovering Lost Species in the Modern Age, Dolly Jørgensen uses the environmental histories of reintroduction, rewilding, and resurrection to view the modern conservation paradigm of the recovery of nature as an emotionally charged practice. Jørgensen argues that the recovery of nature—identifying that something is lost and then going out to find it and bring it back—is a nostalgic practice that looks to a historical past and relies on the concept of belonging to justify future-oriented action. The recovery impulse depends on emotional responses to what is lost, particularly a longing for recovery that manifests itself in such emotions as guilt, hope, fear, and grief. Jørgensen explains why emotional frameworks matter deeply—both for how people understand nature theoretically and how they interact with it physically. The identification of what belongs (the lost nature) and our longing (the emotional attachment to it) in the present will affect how environmental restoration practices are carried out in the future. A sustainable future will depend on questioning how and why belonging and longing factor into the choices we make about what to recover.

This book is about the philosophy of de-extinction. To make an extinct species ‘de-extinct’ is to resurrect it by creating new organisms of the same, or similar, appearance and genetics. The book describes current attempts to resurrect three species, the aurochs, woolly mammoth and passenger pigeon. It then investigates two major philosophical questions such projects throw up. These are the Authenticity Question—‘will the products of de-extinction be authentic members of the original species?’—and the Ethical Question—‘is de-extinction something that should be done?' The book surveys and critically evaluates a raft of arguments for and against the authenticity or de-extinct organisms, and for and against the ethical legitimacy of de-extinction. It concludes, first, that authentic de-extinctions are actually possible, and second, that de-extinction can potentially be ethically legitimate, especially when deployed as part of a ‘freeze now and resurrect later’ conservation strategy.

Who wouldn't be thrilled to see a real, live dinosaur, like those in Michael Crichton's Jurassic Park? Readers find out if it is possible to bring extinct animals back to life. This book delves into the science behind attempts to revive extinct species through processes such as cloning and genetic engineering, and compares actual with fictional efforts. It looks at how scientists have gone about trying to revive extinct species, such as the quagga, woolly mammoth, and passenger pigeon. It also considers the ethics and the ecological effects of trying to revive an extinct species and introduce it to a modern-day ecosystem.

Caught on camera prior to their demise, this book reveals the surprisingly rich photographic record of now-extinct animals.

During the nineteenth century, Lemuria was imagined as a land that once bridged India and Africa but disappeared into the ocean millennia ago, much like Atlantis. A sustained meditation on a lost place from a lost time, this elegantly written book is the first to explore Lemuria’s incarnations across cultures, from Victorian-era science to Euro-American occultism to colonial and postcolonial India. The Lost Land of Lemuria widens into a provocative exploration of the poetics and politics of loss to consider how this sentiment manifests itself in a fascination with vanished homelands, hidden civilizations, and forgotten peoples. More than a consideration of nostalgia, it shows how ideas once entertained but later discarded in the metropole can travel to the periphery—and can be appropriated by those seeking to construct a meaningful world within the disenchantment of modernity. Sumathi Ramaswamy ultimately reveals how loss itself has become a condition of modernity, compelling us to rethink the politics of imagination and creativity in our day.