The Mark of the Beast 666 is here. The calendar has reached its end. 6000 years of mystery within the Holy Bible has been solved.

How did the replication bomb we call ”life” begin and where in the world, or rather, in the universe, is it heading? Writing with characteristic wit and an ability to clarify complex phenomena (the New York Times described his style as ”the sort of science writing that makes the reader feel like a genius”), Richard Dawkins confronts this ancient mystery.

On a night of torrential rain, a warrior appears near the Colombia River, where the Chinook people thrived before the hydroelectric dams came and changed their entire way of life. He has come to reclaim the river, to return it to its original majesty. Soon after, government employees are found murdered with elaborate harpoons. As the body count grows, Francine Smohalla, a government marine biologist of Chinook and white descent, embarks on her own investigation of the bizarre murders. As she desperately tries to find the killer and prevent any other murders, she finds herself spinning in the convergence of ethnic hatreds between Indians and whites, an unlikely relationship with a kindred spirit whose troubled life has led him to contemplate terrorism and apocalypse, an ancient prophecy about the return of her beloved salmon, and the giant dams on the Columbia that loom large and as seemingly immovable as the mountains themselves. A River Out of Eden is a gripping literary thriller straight from today’s headlines set against the uniquely American contradictions of the Pacific Northwest.

Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

A “certainly weird . . . strangely wonderful . . . [and] often irresistible” search to find the real Garden of Eden (The New York Times Book Review). Where, precisely, was God’s Paradise? St. Augustine had a theory. So did medieval monks, John Calvin and Christopher Columbus. But when Darwin’s theory of evolution changed our understanding of human origins, shouldn’t the desire to put a literal Eden on the map have faded away? Not so fast. This “gloriously researched, pluckily written historical and anecdotal assay of humankind’s age-old quixotic quest for the exact location of the Biblical garden” (Elle) explores an obsession that has consumed scientists and theologians alike for centuries. To this day, the search continues, taken up by amateur explorers, clergymen, scholars, engineers and educators—romantic seekers all who started with the same simple-sounding Bible verses, only to end up at a different spot on the globe: Sri Lanka, the Seychelles, the North Pole, Mesopotamia, China, Iraq—and Ohio. Inspired by an Eden seeker in her own family, “Wilensky-Lanford approaches her subjects with respect, enthusiasm and conscientious research” (San Francisco Chronicle) as she traverses a century-spanning history provoking surprising insights into where we came from, what we did wrong, and where we go from here. And it all makes for “a lively journey” (Kirkus Reviews).