With more than 150 never-before-published duotone images, taken between 1892 and 1930, this collection explores the history of the Chicago River and the impact its reversal had on the watershed all the way to the Mississippi River. Offering the most complete description available of the river reversal, the stories told here provide a better understanding as to how it was done and why it was necessary, as well as how the water from the Chicago River is treated. The photographs were pulled from a glass plate photo collection taken by the Sanitary District of Chicago.

Over 300 spectacular photographs of London's lost buildings from the London Metropolitan Archive in Panoramic format. Tudor, Georgian and Victorian buidings, some of them historic masterpieces, captured in location just before their destruction between 1870-1945

"The panorama was a ... newsreel travelogue documentary 'movie' all rolled into one long, long, pictorial canvas between two slowly revolving cylinders ... [to the] acccompaniment of explanatory narration by the panoramist, passed the great river, its banks and bluffs, its steamers and squatters' shacks, its hamlets and cities, from St. Paul to New Orleans." Dust jacket.

The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.

The myth of Scott of the Antarctic, Captain Robert Falcon Scott, icon of fortitude and courage who perished with his fellow explorers on their return from the South Pole on March 29th, 1912, is an enduring one, elevated, dismantled and restored during the turbulence of the succeeding century. Until now, the legend of the doomed Terra Nova expedition has been constructed out of Scott's own diaries and those of his companions, the sketches of 'Uncle Bill' Wilson and the celebrated photographs of Herbert Ponting. Yet for the final, fateful months of their journey, the systematic imaging of this extraordinary scientific endeavor was left to Scott himself, trained by Ponting. In the face of extreme climactic conditions and technical challenges at the dawn of photography, Scott achieved an iconic series of images; breathtaking polar panoramas, geographical and geological formations, and action photographs of the explorers and their animals, remarkable for their technical mastery as well as for their poignancy. Lost, fought over, neglected and finally resurrected, Scott's final photographs are here collected, accurately attributed and catalogued for the first time: a new dimension to the last great expedition of the Heroic Age and a humbling testament to the men whose graves still lie unmarked in the vastness of the Great Alone.

The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.

Described as a publishing phenomenon, Lost London transports the reader back in time with amazing and evocative photographs. For this revised edition another 16 pages and approximately 50 previously unpublished photographs have been added