Augustus' Memoirs, written probably in the mid 20s BC, might have been one of the most revealing texts of Roman history - had they survived. Far longer than his surviving Res Gestae, the Memoirs seem to date from a period at which the wounds of Rome's civil wars were fresh, and the emperor's partisan past might be recalled with discomfort. Existing fragments and testimonia have suggested that the work was apologetic in purpose. In this, the first ever comprehensive study of the subject, a cast of internationally-respected scholars reconstruct aspects of the work, its importance for historians, and its relation to Roman literary genre. The book also contains, by kind permission of Oxford University Press, the fragments and testimonia of the Memoirs as they will appear, newly edited by Christopher Smith, in 'The Fragmentary Roman Historians'.

Augustus' 'Memoirs', written probably in the mid 20s BC, might have been one of the most revealing texts of Roman history - had they survived. In this comprehensive study of the subject, a cast of internationally-respected scholars reconstructs aspects of the work, its importantance for historians, and its relations to Roman literary genre.

He found Rome made of clay and left it made of marble. As Rome’s first emperor, Augustus transformed the unruly Republic into the greatest empire the world had ever seen. His consolidation and expansion of Roman power two thousand years ago laid the foundations, for all of Western history to follow. Yet, despite Augustus’s accomplishments, very few biographers have concentrated on the man himself, instead choosing to chronicle the age in which he lived. Here, Anthony Everitt, the bestselling author of Cicero, gives a spellbinding and intimate account of his illustrious subject. Augustus began his career as an inexperienced teenager plucked from his studies to take center stage in the drama of Roman politics, assisted by two school friends, Agrippa and Maecenas. Augustus’s rise to power began with the assassination of his great-uncle and adoptive father, Julius Caesar, and culminated in the titanic duel with Mark Antony and Cleopatra. The world that made Augustus–and that he himself later remade–was driven by intrigue, sex, ceremony, violence, scandal, and naked ambition. Everitt has taken some of the household names of history–Caesar, Brutus, Cassius, Antony, Cleopatra–whom few know the full truth about, and turned them into flesh-and-blood human beings. At a time when many consider America an empire, this stunning portrait of the greatest emperor who ever lived makes for enlightening and engrossing reading. Everitt brings to life the world of a giant, rendered faithfully and sympathetically in human scale. A study of power and political genius, Augustus is a vivid, compelling biography of one of the most important rulers in history.

WINNER OF THE 1973 NATIONAL BOOK AWARD By the Author of Stoner In Augustus, his third great novel, John Williams took on an entirely new challenge, a historical narrative set in classical Rome, exploring the life of the founder of the Roman Empire. To tell the story, Williams turned to the epistolary novel, a genre that was new to him, transforming and transcending it just as he did the western in Butcher’s Crossing and the campus novel in Stoner. Augustus is the final triumph of a writer who has come to be recognized around the world as an American master.

Acclaimed poet Hafizah Augustus Geter reclaims her origin story in this “lyrical memoir” (The New Yorker)—combining biting criticism and haunting visuals. “Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage Winner of the PEN Open Book Award • Winner of the Lambda Literary Award • A New Yorker Best Book of the Year • A Kirkus Reviews Best Nonfiction Book of the Year • A Brittle Paper Notable African Book of the Year • Finalist for the Chautauqua Prize “I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” A book of great hope, Hafizah Augustus Geter’s The Black Period creates a map for how to survive: a country, a closet, a mother’s death, and the terror of becoming who we are in a world not built to accommodate diverse identities. At nineteen, she suddenly lost her mother to a stroke. Weeks later, her father became so heartsick that he needed a triple bypass. Amid the crumbling of her world, Hafizah struggled to know how to mourn a Muslim woman in a freshly post-9/11 America. Weaving through a childhood populated with southern and Nigerian relatives, her days in a small Catholic school, and learning to accept her own sexuality, and in the face of a chronic pain disability that sends her pinballing through the grind that is the American Dream, Hafizah discovers that grief is a political condition. In confronting the many layers of existence that the world tries to deny, it becomes clear that in order to emerge from erasure, she must map out her own narrative. Through a unique combination of gripping memoir, history, political analysis, cultural criticism, and Afrofuturist thought—alongside stunning original artwork created by her father, renowned artist Tyrone Geter—Hafizah leans into her parents’ lessons on the art of Black revision to create a space for the beauty of Blackness, Islam, disability, and queerness to flourish. As exquisitely told as it is innovative, and with a lyricism that dazzles, The Black Period is a reminder that joy and tenderness require courage, too.

“One of the really remarkable books of our day”—the story of the Roman emperor on which the award-winning BBC TV series was based (The New York Times). Once a rather bookish young man with a limp and a stammer, a man who spent most of his time trying to stay away from the danger and risk of the line of ascension, Claudius seemed an unlikely candidate for emperor. Yet, on the death of Caligula, Claudius finds himself next in line for the throne, and must stay alive as well as keep control. Drawing on the histories of Plutarch, Suetonius, and Tacitus, noted historian and classicist Robert Graves tells the story of the much-maligned Emperor Claudius with both skill and compassion. Weaving important themes throughout about the nature of freedom and safety possible in a monarchy, Graves’s Claudius is both more effective and more tragic than history typically remembers him. A bestselling novel and one of Graves’ most successful, I, Claudius has been adapted to television, film, theatre, and audio. “[A] legendary tale of Claudius . . . [A] gem of modern literature.” —Publishers Weekly (starred review)

Two years after Emperor Augustus's bloody defeat of Mark Antony and Cleopatra, he triumphantly returns to Rome. To his only child, Julia, he brings an unlikely companion--Selene, the daughter of the conquered Egyptian queen and her lover. Under the watchful eye of Augustus's wife, Livia, Selene struggles to accept her new home among her parents' enemies. Bound together by kinship and spilled blood, these three women--Livia, Selene, and Julia--navigate the dangerous world of Rome's ruling elite, their every move a political strategy, their most intimate decisions in the emperor's hands. Always suppressing their own desires for the good of Rome, each must fulfill her role. For astute Livia, this means unwavering fidelity to her all-powerful husband; for sensual Julia, surrender to an arranged marriage and denial of her craving for love and the pleasures of the flesh; for orphaned Selene, choosing between loyalty to her family's killers and her wish for revenge. Can they survive Rome's deadly intrigues, or will they be swept away by the perilous currents of the world's most powerful empire?