Presents the story of Philip Benjamin, a young man haunted by images of his staid, middle-class parents and frightened by the thought of revealing his homosexual identity to them.

Sketches an intimate portrait of a family and its emotional struggle to come to terms with the death of matriarch Louise Cooper.

In gay men's writing, tenderness lies side by side with rage; existential rejection of convention rubs shoulders with sexual hedonism. Beginning with Wilde's and Byron's existentialist outlaw, the theme of social rebellion, and the fight against conformity, form a common link among the literary works of the twentieth century. But mainstream academic criticism has shown itself for the most part incapable of engaging gay work without distorting or ignoring its most central features.

For Cooley the cranes are something beyond curiosity, perhaps familiar, yet inexplicable. To learn about the cranes, she went to the International Crane Fdn. in Wisconsin (the only place where all 15 species exist). There she walked among them and interacted with them. For 60 million years, cranes have flown over practically every continent. They can fly at altitudes of up to 30,000 ft. and can migrate over 5,000 miles. This book shares the magnificence of these creatures and helps their survival. For each species of crane, Cooley offers a page of poetic description accompanied by a watercolor illustration. A beautiful work of art with a gorgeous slipcase.

A lyrical fantasy blending fairy tale elements with contemporary issues Thirteen-year-old Suyin is a poor orphan who has a strange gift with languages and a mysterious connection to the cranes in her small Chinese village. When a shady human trafficker arrives promising luxury and riches beyond belief in America, the villagers elect Suyin - whom they consider lucky - to go as their benefactress. But instead of luxury, Suyin is forced to work in a sweatshop in New York City's Chinatown. Suyin's future seems hopeless, until her beloved cranes arrive and reveal that she is no ordinary girl - instead, she is the daughter of the Crane Queen. Now her mother's life is in danger, and Suyin must prove herself worthy of her position as the Crane Princess, in order to save her mother and the entire clan of cranes. For fans of Grace Lin and Laurence Yep, this is a beautiful story of the meaning of family and finding one's true path in life.

Thirty years ago, David Leavitt first appeared on the literary scene with a gutsy story collection that stunned readers and reviewers. Just twenty-three, he was hailed as a prodigy of sorts: “remarkably gifted” (The Washington Post), with “a genius for empathy” (The New York Times Book Review) and “a knowledge of others' lives . . . that a writer twice his age might envy” (USA Today). “Regardless of age,” wrote the New York Times, “few writers so effortlessly achieve the sense of maturity and earned compassion so evident in these pages.” In “Territory,” a well-intentioned, liberal mother, presiding over her local Parents of Lesbians and Gays chapter, finds her acceptance of her son's sexuality shaken when he arrives home with a lover. In the title story, a family extended through divorce and remarriage dances together at the end of a summer party-in the recognition that they are still bound by the very forces that split them apart. Tender and funny, these stories reveal the intricacies and subtleties of the dances in which we all engage.

WHEN 12-YEAR-OLD ANGELA Kato arrives in L.A., the last thing she wants to do is spend the entire summer with her grandparents. But in the Kato family, one is never permitted to complain. Grandma Michi and Aunt Janet put Angela to work in their flower shop, folding origami and creating 1001 crane displays for newlyweds. At first, Angela learns the trade begrudgingly. But when her folding skills improve and her relationships with family and friends grow, Angela is able to cope with her troubles, especially her parents’ impending divorce.