The much-mythologized Indigenous woman takes control of her own narrative in this “formally inventive, historically eye-opening novel” (The New York Times). In my seventh winter, when my head only reached my Appe’s rib, a White Man came into camp. Bare trees scratched sky. Cold was endless. He moved through trees like strikes of sunlight. My Bia said he came with bad intentions, like a Water Baby’s cry. Among the most memorialized women in American history, Sacajewea served as interpreter and guide for Lewis and Clark’s Corps of Discovery. In this visionary novel, acclaimed Indigenous author Debra Magpie Earling brings this mythologized figure vividly to life, casting unsparing light on the men who brutalized her and recentering Sacajewea as the arbiter of her own history. Raised among the Lemhi Shoshone, the young Sacajewea, in this telling, is bright and bold, growing strong from the hard work of “learning all ways to survive”: gathering berries, water, roots, and wood; butchering buffalo, antelope, and deer; catching salmon and snaring rabbits; weaving baskets and listening to the stories of her elders. When her village is raided and her beloved Appe and Bia are killed, Sacajewea is kidnapped and then gambled away to Charbonneau, a French-Canadian trapper. Heavy with grief, Sacajewea learns how to survive at the edge of a strange new world teeming with fur trappers and traders. When Lewis and Clark’s expedition party arrives, Sacajewea knows she must cross a vast and brutal terrain with her newborn son, the white man who owns her, and a company of men who wish to conquer and commodify the world she loves. Written in lyrical, dreamlike prose, The Lost Journals of Sacajewea is an astonishing work of art and a powerful tale of perseverance—the Indigenous woman’s story that hasn’t been told. “Poetic prose . . . interweaves factual accounts of Sacajewea’s life with a first-person narrative deeply rooted in the physicality of landscape and brutality of the times.” —Seattle Times “A literary masterpiece, a whirlwind of a story that made me shiver in response to its difficult beauty.” —Susan Power, author of The Grass Dancer

A June 2023 Indie Next Pick, Selected by Booksellers A Minneapolis Star Tribune Recommended Fiction Read for 2023 A Millions Most Anticipated Read for 2023 A Library Journal Recommended Read for 2023 A Motherly Best Book of 2023 From the award-winning author of Perma Red comes a devastatingly beautiful novel that challenges prevailing historical narratives of Sacajewea. "In my seventh winter, when my head only reached my Appe's rib, a White Man came into camp. Bare trees scratched sky. Cold was endless. He moved through trees like strikes of sunlight. My Bia said he came with bad intentions, like a Water Baby's cry." Among the most memorialized women in American history, Sacajewea served as interpreter and guide for Lewis and Clark's Corps of Discovery. In this visionary novel, acclaimed Indigenous author Debra Magpie Earling brings this mythologized figure vividly to life, casting unsparing light on the men who brutalized her and recentering Sacajewea as the arbiter of her own history. Raised among the Lemhi Shoshone, in this telling the young Sacajewea is bright and bold, growing strong from the hard work of "learning all ways to survive" gathering berries, water, roots, and wood; butchering buffalo, antelope, and deer; catching salmon and snaring rabbits; weaving baskets and listening to the stories of her elders. When her village is raided and her beloved Appe and Bia are killed, Sacajewea is kidnapped and then gambled away to Charbonneau, a French Canadian trapper. Heavy with grief, Sacajewea learns how to survive at the edge of a strange new world teeming with fur trappers and traders. When Lewis and Clark's expedition party arrives, Sacajewea knows she must cross a vast and brutal terrain with her newborn son, the white man who owns her, and a company of men who wish to conquer and commodify the world she loves. Written in lyrical, dreamlike prose, The Lost Journals of Sacajewea is an astonishing work of art and a powerful tale of perseverance--the Indigenous woman's story that hasn't been told.

Clad in a doeskin, alone and unafraid, she stood straight and proud before the onrushing forces of America's destiny: Sacajawea, child of a Shoshoni chief, lone woman on Lewis and Clark's historic trek -- beautiful spear of a dying nation. She knew many men, walked many miles. From the whispering prairies, across the Great Divide to the crystal capped Rockies and on to the emerald promise of the Pacific Northwest, her story over flows with emotion and action ripped from the bursting fabric of a raw new land. Ten years in the writing, SACAJAWEA unfolds an immense canvas of people and events, and captures the eternal longings of a woman who always yearned for one great passion -- and always it lay beyond the next mountain.

Set on Montana’s Flathead Indian Reservation in the 1940s, this is “a love story of uncommon depth and power [and a] superb first novel” (Booklist, starred review). On the reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after her mother’s death, Louise and her sister have grown up into the harsh social and physical landscape of western Montana, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her family—but three persistent men have other plans. Since childhood, Louise has been pursued by Baptiste Yellow Knife, feared not only for his rough-and-tumble ways but also for the preternatural gifts of his bloodline. Baptiste’s rival is his cousin, Charlie Kicking Woman: a man caught between worlds, torn between his duty as a tribal officer and his fascination with Louise. And then there is Harvey Stoner. The white real estate mogul can offer Louise her wildest dreams of freedom, but at what cost? As tensions mount, Louise finds herself trying to outrun the bitter clutches of winter and the will of powerful men, facing choices that will alter her life—and end another’s—forever. “Beautiful . . . This novel will stand proudly among its peers in Native American literature and should have strong appeal to fans of Louise Erdrich.” —Library Journal “You will be mesmerized.” —NPR

In these 11 essays, all originally published in "The New York Review of Books," McMurtry brings his unique narrative gift and dry humor to a variety of western topics.

More than 200 years ago, explorers went on a journey to the Pacific Ocean. With the help of a young American Indian girl, the trip was a success. Her name was Sacajawea.

Thirty years after Meriwether Lewis and William Clark passed through the Mandan villages in present-day North Dakota, the Upper Missouri River region was being plied by fur traders. In 1834 Francis A. Chardon, a Philadelphian of French extraction, took charge of Fort Clark, a main post of the American Fur Company on the Upper Missouri. The journal that Chardon began that year offers a rare glimpse of daily life among the Mandan Indians, including the Arikaras, Yanktons, and Gros Ventres. In particular, it is a valuable and graphic record of the smallpox scourge that nearly destroyed the Mandans in 1837. Chardon describes much of historical interest, including such figures as the interpreter Charbonneau, Sacajawea's husband, and the fantastic James Dickson, "Liberator of all the Indians." By the time his account ends in 1839, the fur trade is already in decline. Chardon's journal was long lost, rediscovered, and finally edited and published in 1932 by Annie Heloise Abel, a distinguished scholar whose works, all available as Bison Books, included The American Indian As Slaveholder and Secessionist; The American Indian in the Civil War, 1862-1865; and The American Indian and the End of the Confederacy, 1863-1866. Her historical introduction provides background on the fur trade and on Chardon's life before and after his tenure at Fort Clark. William R. Swagerty is a history professor at the University of Idaho.