Recently a long-lost journal belonging to Dracula author Bram Stoker was discovered in his great-grandson Noel's dusty attic. Published now to coincide with the centenary of Stoker's death, the text of this stunning find, written between 1871 and 1881, mostly in his native Dublin, will captivate scholars of Gothic literature and Dracula fans alike. Painstakingly transcribed and researched, the journal offers intriguing new insights into the complex nature of the man who wrote Dracula more than one hundred years ago. Assisted by a team of scholars and Stoker historians, Dacre Stoker and Professor Elizabeth Miller neatly connect the dots between the contents of the journal and Bram Stoker's later work, most significantly Dracula. Until now, discussion of the very private Bram Stoker has, by necessity, been largely speculative. Other than names and dates provided by biographers, and Bram Stoker's own sparse self-revelation in his non-fiction, little has been available to support character studies of this fascinating Victorian gentleman. This personal journal shows Stoker's private thoughts and his developing style, and is a veritable treasure trove of oddities, musings and anecdotes.

Bram Stoker died over 100 years ago, just days after the Titanic sank. We know him as the author of Dracula, but long before Dracula, he was just a young Irishman, hoping to be a writer, practicing poetry, and enjoying a good joke. This Lost Journal (now found) is an amazing opportunity to get into the young mind of the Dracula author - to see who he was (law clerk), where he lived (Dublin, Ireland), and what he thought about (everything from walking on the beach and unrequited love to drunken parties at Dublin Castle and sliding in vomit). Dr. Miller and Dacre Stoker make interesting comments about Bram's entries, and, as they say, some of the short notes are like twittering. Imagine decoding somebody's twitter messages 141 years from now in the year 2153. Some of Stoker's notes are just that impossible - even for editors Stoker & Miller, who have studied Bram Stoker for years. The most obscure references will provide a field day for Irish history buffs and English professors who want to challenge their students of Gothic literature. A few years ago, Bram Stoker's great-grandson found in his attic a journal Stoker had kept during the 1870s while he was young and single, still living in Dublin. All of the entries (over 300) are published in this new book, researched by Elizabeth Miller and Dacre Stoker. The insights provided into Stoker's life and personality are exciting and unprecedented. We get glimpses into his friendships at Trinity College, his office mates at Dublin Castle, family members, his interest in athletics, as well as his travels around Ireland and on the Continent. We also get to know him better as a writer and see how his skills developed. The editors say Bram Stoker never thought anybody would care about these notes so he wrote for himself, which is so revealing on many levels.

Like Elizabeth Kostova's #1 "New York Times" bestseller "The Historian," this thriller is based on the premise of the narrator coming into possession of old documents that tell the "true" story of the greatest of vampire hunters.

Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar à?smundsson set out to translate Bram Stoker’s world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, “Powers of Darkness†?), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into à?smundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that à?smundsson hadn’t merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker’s Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.Powers of Darkness presents the first ever translation into English of Stoker and à?smundsson’s Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker’s great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.

Shortlisted for the Edgar Award (Critical/Biographical) Finalist for the Bram Stoker Award (Nonfiction) Finalist for the Anthony Award (Critical Nonfiction) A revelatory biography exhumes the haunted origins of the man behind the immortal myth, bringing us "the closest we can get to understanding [Bram Stoker] and his iconic tale" (The New Yorker). In this groundbreaking portrait of the man who birthed an undying cultural icon, David J. Skal "pulls back the curtain to reveal the author who dreamed up this vampire" (TIME magazine). Examining the myriad anxieties plaguing the Victorian fin de siecle, Skal stages Bram Stoker’s infirm childhood against a grisly tableau of medical mysteries and horrors: cholera and famine fever, childhood opium abuse, frantic bloodletting, mesmeric quack cures, and the gnawing obsession with "bad blood" that pervades Dracula. In later years, Stoker’s ambiguous sexuality is explored through his passionate youthful correspondence with Walt Whitman, his adoration of the actor Sir Henry Irving, and his romantic rivalry with lifelong acquaintance Oscar Wilde—here portrayed as a stranger-than-fiction doppelgänger. Recalling the psychosexual contours of Stoker’s life and art in splendidly gothic detail, Something in the Blood is the definitive biography for years to come.

Author Syrie James (The Lost Memoirs of Jane Austen) offers readers a breathtaking new perspective on Bram Stoker’s classic tale of the king of the vampires with Dracula, My Love. In these “Secret Journals of Mina Harker,” the object of Dracula’s desire relates for the very first time the shocking story of her scandalous seduction and sexual rebirth. This is not the chaste vampire romance of Twilight—Dracula, My Love celebrates a passionate obsession in all its hot and sensuous glory.