Revie becomes convinced he is the second coming of Christ. But when his mother runs away to Hollywood, Revie's faith is shaken.

Witness protection supposedly offers a fresh start, but for Ana Easterday, it's a personal apocalypse. Stranded in Indiana, she's lost her future as well as her past. When a hitman offers her a way home, she has to decide: stay or go? Do Not Go On is about secrets, second chances, and stories that can save your skin and soul.

Bryson brings his unique brand of humour to travel writing as he shoulders his backpack, keeps a tight hold on his wallet and heads for Europe. Travelling with Stephen Katz--also his wonderful sidekick in A Walk in the Woods--he wanders from Hammerfest in the far north, to Istanbul on the cusp of Asia. As he makes his way round this incredibly varied continent, he retraces his travels as a student twenty years before with caustic hilarity.

An anthology of essays & poetry offering a reconsideration of one of America’s most misunderstood cities. Is Indianapolis just another midwestern city to fly over on the way to bigger and better destinations? Or is it, as locals know, a place where different peoples and ideals converge to create a rich cultural center? The Indianapolis Anthology showcases Naptown’s vibrancy and diversity with pieces from journalists, poets, historians, established community voices, and first-time writers. The Circle City is more than the home of the Indianapolis 500, John Dillinger, Kenneth “Babyface” Edmonds, Kurt Vonnegut, Prozac, and Wonder Bread. In these pages, you’ll find: · lawn chairs in the beds of pick-ups · Punk rock in Naptown · suffragists and entrepreneurs · cement pietàs · dog bakeries and yoga studios · red brick bungalows and war memorials · steakburgers and Mexican seafood; pho and sauerbraten · and more In other words, you'll find images from a city that is truly a cross section of today’s America. Edited by Norman “Buzz” Minnick and with contributions from Etheridge Knight, Terrance Hayes, Michael Martone, and Karen Kovacik. An insiders’ look that will make you see a great midwestern city in a brand-new light.

A field guide to the trade and art of editing, this book pulls back the curtain on the day-to-day responsibilities of a literary magazine editor in their role, and to the specific skills necessary to read, mark-up and transform a piece of writing. Combining a break-down of an editor's tasks – including creating a vision, acquisitions, responding to submissions and corresponding with authors – with a behind-the-scenes look at manuscripts in progress, the book rounds up with a test editing section that teaches, by way of engaging exercises, the nitty-gritty strategies and techniques for working on all kinds of texts. Generous in its insight and access to practicing editors' annotations and thought processes, The Invisible Art of Literary Editing offers an exclusive look at nonfiction, fiction and poetry manuscripts as they were first submitted, as they were marked up by an editor and how the final piece was presented before featuring an interview with the editor on the choices they made about that piece of work, as well as their philosophies and working practices in their job. As a skill and a trade learnt through practice and apprenticeship, this is the ultimate companion to editing any piece of work, offering opportunities for learning-by-doing through exercises, reflections and cases studies, and inviting readers to embody the role of an editor to improve their craft and demystify the processes involved in this exciting and highly coveted profession.

You know the names and the stories, but you've never seen them like this before! My Name Was Never Frankenstein: And Other Classic Adventure Tales Reanimated brings your favorite characters back to life in new and exciting escapades. In this inventive collection, a stellar cast of writers uses classic adventure tales as a launch pad for an eclectic mix of prequels, alternate universes, spin-offs, and total reboots. Imagine Ahab is shipwrecked on an island of cannibals, or Mr. Hyde tells his side of the story, or the scarecrow from Oz struggles with the mystery of his existence. By turns wry and haunting, My Name Was Never Frankenstein upends old territory and classic characters to reclaim them for a new generation.

Jillian Guzmán, who is nine years old at the beginning of the book, communicates through drawings rather than speech as she travels with her mother, Angie O'Malley, throughout the borderlands of Arizona and northwestern Mexico. Later she creates survival maps for border crossers and paints murals at the Casa de los Olvidados, a refuge in Sonora run by the traditional healer Juana of God. These darkly funny tales, focusing on Mexican-American, Euro-American, and Mexican characters, feature visionary experiences, ghosts, faith healers, a deer's head that speaks, a dog who channels spirits of the dead--and a young woman whose drawings begin to create realities instead of just reflecting them.