'Joel Lane's imagination is bleak. But it is also the imagination of a poet.' – M John Harrison, author of The Sunken Land Begins to Rise Again WITH A NEW INTRODUCTION BY CONRAD WILLIAMS Set in a post-industrial landscape of the present, the near future, and the imagined, Joel Lane's seminal collection The Lost District explores human encounters with the unknown: sexual discovery, drug-inspired visions, the lonely paths of madness, and the shadow realms on the other side of death. A neighbourhood fades into corrupt echoes of itself; a porn actor's scars reveal the forces controlling his life; a musician is haunted by the madness of a deceased singer; and a man literally follows his ex-lover to the end of the world. Ranging from grim urban horror to strange erotic fantasies to bitter allegories of loss and exploitation, the stories in The Lost District link the hidden places in the urban and small-town landscapes to the secret spaces inside all of us. First published in the USA in 2006, and long out-of-print, The Lost District has never been published in the UK until now, further enforcing Joel Lane's reputation as one of the most significant and distinctive British writers of the weird.

The year's darkest tales of terror Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Neil Gaiman, Brian Keene, Elizabeth Massie, Glen Hirshberg, Peter Atkins and Tanith Lee. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.

'A poet of misfits, outsiders and the forsaken, his empathy for their suffering ever poignant.' – Adam Nevill, author of The Ritual Joel Lane (1963-2013) was one of the UK's foremost writers of dark, unsettling fiction, a frank explorer of sexuality and the transgressive aspects of human nature. With a tight focus on the post-industrial Black Country and his home city of Birmingham, he created a distinct form of British urban weird fiction. His debut collection, The Earth Wire was first published in 1994 by Egerton Press and is reissued in paperback by Influx Press for the first time in over twenty-five years. Love and death. Sex and despair. The Earth Wire is a thrilling, disturbing examination of the means and the cost of survival. WITH A NEW INTRODUCTION BY NINA ALLAN

A powerful look at the real America, dominated by America's "forgotten majority"-white working-class men and women who make up 55 percent of the voting population

In the world-sized city of Jadzia, magic and ancient science merge into something dark and wondrous. Koré’s life is consumed by power, politics, sex and vengeance, and as courtesan to the wealthy and powerful, he is privy to all manner of secrets. He knows meddling in politics is dangerous─still, he is willing to risk everything to stop his father from seizing the Imperial Throne of the War District. But Koré soon finds the corruption runs far deeper than just one man. During a tryst in an ancient tomb─in the pursuit of political influence─Koré encounters a dying god, who imbues him with the powers of one of the city’s sacred dragons. Suddenly Koré finds himself a hunted man, threatened with becoming a pawn by whoever finds him first. If the wrong person discovers his secret and lays claim to his powers they would plunge their world into war, unleash untold horrors and destroy the city─and the two people he has come to love.

The volume Memories of my Town is an exploration into how town dwellers experience their environment in a complicated way .As people in urban milieus relate themselves to the environment, this takes place on many levels, where especially the time level becomes problematic. The urban buildings and settings can be looked upon as a kind of collective history, as carriers or witnesses of times past. But it is only the town dwellers that experience urban time itself, the time they live in, but through their memories also times past. In this past some elements take symbolicaly dense expressions. Through reliving and narrating their experiences the symbolically important factors in the this urban relationship will be outlined for investigations conserning three towns, Helsinki, the capital, Viborg, the ceded and lost Carelian town, and Jyväskylä, a town with dense commercial and civilisatory dimensions in the middle of Finland. The symbolic aspects are the kern in all the articles of the book Memories of my Town. The aim of the book and its articles has been to use different theoretical concepts as guidelines in analysing the different narrative texts. Thus the articles are to be seen as independent contributions to the scientific discussion about places, urbanism, memories and narratives. The ethnological outlook is on the other hand an outcome of the joint project Town Dwellers and their Places., whereby the articles substancially relate to one another. Thus the book can also be seen as a joint result of this urban project, which was sponsored by the Finnish Academy.

Memories of My Town is an exploration into how town dwellers experience their environment in a complicated way. As people in urban milieus relate themselves to the environment, this takes place on many levels, where especially the time level becomes problematic. The urban buildings and settings can be looked upon as a kind of collective history, as carriers or witnesses of times past. But it is only the town dwellers that experience urban time itself, the time they live in, but through their memories also times past. In this past some elements take symbolically dense expressions. Through reliving and narrating their experiences the symbolically important factors in this urban relationship will be outlined for investigations concerning three towns, Helsinki, the capital, Vyborg, the ceded and lost Karelian town, and Jyväskylä, a town with dense commercial and cultural dimensions in the middle of Finland. The aim of the book is to use different theoretical concepts as guidelines in analysing the different narrative texts.