*Includes pictures *Includes excerpts of medieval accounts *Includes a bibliography for further reading The story of Atlantis has captured the minds and hearts of historians, scientists, artists, and writers for millennia, and yet, it never ceases to amaze people when told that the only literary evidence that exists comes from a single 4th century BCEE author. The Athenian philosopher Plato, famous for his dialogues in which the Socratic Method was invented, was the first writer to mention the mysterious continent of Atlantis. In his works Timaeus and Critias, Plato outlines the beginning of the story of Atlantis, but the Critias, where the longer and more detailed account takes place, was never finished and, therefore, has become the mysterious germ for millennia of thought. The annals of world history are filled with intriguing, although often outlandish stories of lost cities and kingdoms, and in addition to Atlantis, there are also Hyperborea, Shambhala, and Aztlan, to name just a few. Besides being cities and kingdoms that have been lost, often through some sort of catastrophe, all of these places are mentioned in religious texts or as part of a peoples' national history. They play a major role in the identity of certain groups, at least in how certain groups identify with these mythical places. Although many, if not all, of these locations are mythical, they may have been based on actual locations, even if modern scholars are yet to definitively discover any such places. One of these lost cities is that known as Ubar, Wabar or Iram, names which are all believed to refer to the same, possibly mythical, location. The city is mentioned as a den of iniquity that was destroyed by God, both in the Quran as well as the mythical Arabian Nights. As such, Ubar became a metaphor for how good Muslims should not act, and what could happen to non-believers, especially when allowed to congregate in a specific area. Later Islamic historians and geographers describe Ubar as being somewhere in the Arabian Desert, in what is today the nation-state of Oman. In modern times there were a few attempts to locate the lost city, but, for the most part, they were futile. Ubar and its location continued to fascinate people around the world, and it seemed as though its secrets would remain hidden beneath the Arabian sands until the 1980s, when a photojournalist named Nicholas Clapp became interested in the city. Clapp eventually turned his interest into a full-time endeavor to find Ubar and put together a team of adventurers and archaeologists, receiving funding from a number of different sources. Working backwards from the few scant historical and geographical accounts that portray Ubar as a prosperous city or kingdom in the centuries before Islam, Clapp and his team narrowed their search to a location on the edge of the Arabian Desert in the Dhofar region of Oman. It is there that they believed they found Ubar, which appeared to be a productive, wealthy, and growing city from the early 1st millennium BCEE until as late as the 6th century BCEE. Clapp received great fame for his discovery and recorded his journey in a book, even as some historians remained convinced that he had not actually discovered Ubar. In fact, some continue to believe that Ubar was a purely mythical place, even as others are convinced that it was a large, historical kingdom that remains lost. The Lost City of Ubar: The History and Legends of the Ancient Arabian City Known as the Atlantis of the Sands chronicles the origins of the city, the stories about it, the way the stories spread as they became more popular, and their impact on history. Along with pictures depicting important people, places, and events, you will learn about the Atlantis of the Sands like never before.

The glittering tradition of sword-and-sorcery sweeps into the sands of ancient Arabia with the heart-stopping speed of a whirling dervish in this thrilling debut novel from new talent Howard Andrew Jones In 8th century Baghdad, a stranger pleads with the vizier to safeguard the bejeweled tablet he carries, but he is murdered before he can explain. Charged with solving the puzzle, the scholar Dabir soon realizes that the tablet may unlock secrets hidden within the lost city of Ubar, the Atlantis of the sands. When the tablet is stolen from his care, Dabir and Captain Asim are sent after it, and into a life and death chase through the ancient Middle East. Stopping the thieves—a cunning Greek spy and a fire wizard of the Magi—requires a desperate journey into the desert, but first Dabir and Asim must find the lost ruins of Ubar and contend with a mythic, sorcerous being that has traded wisdom for the souls of men since the dawn of time. But against all these hazards there is one more that may be too great even for Dabir to overcome... Advance Praise for THE DESERT OF SOULS: "The Desert of Souls is filled with adventure, magic, compelling characters and twists that are twisty. This is seriously cool stuff." -- Steven Brust, New York Times bestselling author of the Vlad Taltos series "A grand and wonderful adventure filled with exotic magic and colorful places — like a cross between Sinbad and Indiana Jones." -- Kevin J. Anderson, New York Times bestselling author of The Map of All Things "Like the genie of the lamp, Howard Jones has granted this reader's wish for a fresh, exciting take on the venerable genre of sword-and-sorcery!" -- Richard A. Knaak, New York Times and USA Today bestselling author of Legends of the Dragonrealm "Howard Andrew Jones spins an exciting and suspenseful tale in his historical fantasy debut. A rich, detailed tapestry -- part Arthur Conan Doyle, part Robert E. Howard, and part Omar Khayyam, woven in the magical thread of One Thousand And One Nights." -- E.E. Knight, Author of the bestselling Vampire Earth "An entertaining and enjoyable journey into a world of djinns and magic far darker than expected, yet one that ends with hope, both for the characters... and that there will be yet another book." -- L. E. Modesitt, Jr, author of the Recluse Saga, the Imager Portfolio, and the Corean Chronicles "A modern iteration of old school storytelling. Highly recommended to anyone in search of a fun run through strange lands and times." -- Glen Cook, author of The Black Company Series "Howard Jones wields magic like a subtle blade and action like a mighty cleaver in his scimitars and sorcery tale, weaving together Arabian myth, history, and some honest-to-gosh surprises to create a unique story that you'll not soon forget." -- Monte Cook, author of The Dungeon Masters Guide, 3rd Edition "A rousing tale of swords against sorcery. Howard Jones writes with wit and flair. His world is involving, authentic and skilfully evoked. The best fantasy novel I have read all year." -- William King, Author of the Space Wolf trilogy and creator of Gotrek and Felix "A whirlwind tale of deserts, djinn and doors to other worlds, told in a voice perfectly pitched for the style and setting." -- Nathan Long, author of Bloodborn and Shamanslayer "An Arabian Nights adventure as written by Robert E Howard. It is exciting, inventive, and most of all fun." -- Dave Drake, author of The Legion of Fire

Ranulph Fiennes has travelled to the most dangerous and inaccessible places on earth, almost died countless times, lost nearly half his fingers to frostbite, raised millions of pounds for charity and been awarded a polar medal and an OBE. He has been an elite soldier, an athlete, a mountaineer, an explorer, a bestselling author and nearly replaced Sean Connery as James Bond. In his autobiography he describes how he led expeditions all over the world and became the first person to travel to both poles on land. He tells of how he discovered the lost city of Ubar in Oman and attempted to walk solo and unsupported to the North Pole - the expedition that cost him several fingers, and very nearly his life. His most recent challenge was scaling the north face of the Eiger, one of the most awesome mountaineering challenges in the world. Sir Ranulph Twisleton-Wykeham-Fiennes OBE, 3rd Baronet, looks back on a life lived at the very limits of human endeavour. 'Even readers with a broadly low tolerance for macho heroism will find themselves gripped . . . compelling' - Time Out

The Sultanate of Oman is a land of oases, deserts, rolling sands, shifting dunes and mountains upon which ancient cities have been carved from stone. A land that boasts the Queen of Sheba, Sinbad the sailor and The Lost City of Ubar buried for millennia under the Arabian Sands. A country that was heralded for its wealth in Frankincense and from here the ancient Frankincense trail began. Oman is a country where the Bedouin still wander the deserts as they have since time immemorial. A mystical land where eagles soar over the mountain that is home to the Tomb of the prophet Job, a prophet in Judaism, Christianity and Islam. In the mountains nearby live an ancient people whose language predates Aramaic. The age of the language remains a mystery. It is a spoken language with no written form. In these mountains one finds caves that are decorated with prehistoric art. Mines and distinctive cone like tombs dating from the Bronze Age feature all over the country. It is a country that has tales of wizardry and magic, jinns and exorcisms. Embark on a magical and mystical Arabian Odyssey to the ancient land of Oman.

A heart-stopping novel of adventure and suspense from #1 New York Times bestselling author James Rollins—the first in his critically acclaimed Sigma Force series A freak explosion in the British Museum in London ignites a perilous race for an earth-shaking power source buried deep beneath the sands of history. Painter Crowe is an agent for Sigma Force, a covert arm of the Defense Department tasked with keeping dangerous scientific discoveries out of enemy hands. When an ancient artifact points the way toward the legendary “Atlantis of the Sands,” Painter must travel across the world in search of the lost city–and a destructive power beyond imagining. But Painter has competition. A band of ruthless mercenaries, led by a former friend and ally, are also intent on claiming the prize, and they will destroy anyone who gets in their way. Ancient history collides with cutting-edge science–with the safety of the world at stake.

Archaeology has been transformed by technology that allows one to ‘see’ below the surface of the earth. This work illustrates the uses of advanced technology in archaeological investigation. It deals with hand-held instruments that probe the subsurface of the earth to unveil layering and associated sites; underwater exploration and photography of submerged sites and artifacts; and the utilization of imaging from aircraft and spacecraft to reveal the regional setting of archaeological sites and to assist in cultural resource management.