‘One of the masters of modern Chinese literature’ Jung Chang This gripping dystopia contrasts the reality of life in China today with the sunny optimism of the ‘Chinese dream’. One dusk in early June, in a town deep in the Balou mountains, fourteen-year-old Li Niannian notices that something strange is going on. As the residents would usually be settling down for the night, instead they start appearing in the streets and fields. There are people everywhere. Li Niannian watches, mystified. Until he realises the people are dreamwalking, carrying on with their daily business as if the sun hadn’t already gone down. And before too long, as more and more people succumb, in the black of night all hell breaks loose. Set over the course of one night, The Day the Sun Died pits chaos and darkness against the bright ‘Chinese dream’ promoted by President Xi Jinping. We are thrown into the middle of an increasingly strange and troubling waking nightmare as Li Niannian and his father struggle to save the town, and persuade the beneficent sun to rise again. Praise for Yan Lianke's books: ‘Nothing short of a masterpiece’ Guardian ‘A hyper-real tour de force, a blistering condemnation of political corruption and excess’ Financial Times ‘Mordant satire from a brave fabulist’ Daily Mail ‘Exuberant and imaginative’ Sunday Times ‘I can think of few better novelists than Yan, with his superlative gifts for storytelling and penetrating eye for truth’ New York Times Book Review

Born in Asheville, North Carolina, Thomas Wolfe (1900-1938) was one of the most influential southern writers, widely considered to rival his contemporary, William Faulkner-who believed Wolfe to be one of the greatest talents of their generation. His novels- including Look Homeward, Angel (1929); Of Time and the River (1935); and the posthumously published The Web and the Rock (1939) and You Can't Go Home Again (1940)-remain touchstones of U.S. literature. In Look Abroad, Angel, Jedidiah Evans uncovers the "global Wolfe," reconfiguring Wolfe's supposedly intractable homesickness for the American South as a form of longing that is instead indeterminate and expansive. Instead of promoting and reinforcing a narrow and cloistered formulation of the writer as merely southern or Appalachian, Evans places Wolfe in transnational contexts, examining Wolfe's impact and influence throughout Europe. In doing so, he de-territorializes the response to Wolfe's work, revealing the writer as a fundamentally global presence within American literature.

These fifty-eight stories make up the most thorough collection of Thomas Wolfe's short fiction to date, spanning the breadth of the author's career, from the uninhibited young writer who penned "The Train and the City" to his mature, sobering account of a terrible lynching in "The Child by Tiger". Thirty-five of these stories have never before been collected. Lightning Print On Demand Title

"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

A gorgeously illustrated co-publication with Christine Burgin by “one of the world’s great essayists” (The New York Times). With a guide to the illustrations by Mary Wellesley. Angels have soared through Western culture and consciousness from Biblical to contemporary times. But what do we really know about these celestial beings? Where do they come from, what are they made of, how do they communicate and perceive? The celebrated essayist Eliot Weinberger has mined and deconstructed, resurrected and distilled centuries of theology into an awe-inspiring exploration of the heavenly host. From a litany of angelic voices, Weinberger’s lyrical meditation then turns to the earthly counterparts, the saints, their lives retold in a series of vibrant and playful capsule biographies, followed by a glimpse of the afterlife. Threaded throughout Angels & Saints are the glorious illuminated grid poems by the eighteenth-century Benedictine monk Hrabanus Maurus. These astonishingly complex, proto-“concrete” poems are untangled in a lucid afterword by the medieval scholar and historian Mary Wellesley.

The time is 1925. The place, St. Louis, Missouri. Charley Floyd, a good-looking, sweet-smiling country boy from Oklahoma, is about to rob his first armored car. Written by Pulitzer Prize–winner Larry McMurtry and his writing partner, Diana Ossana, Pretty Boy Floyd traces the wild career of the legendary American folk hero Charley Floyd, a young man so charming that it's hard not to like him, even as he's robbing you at gunpoint. From the bank heists and shootings that make him Public Enemy Number One to the women who love him, from the glamour-hungry nation that worships him to the G-men who track Charley down, Pretty Boy Floyd is both a richly comic masterpiece and an American tragedy about the price of fame and the corruption of innocence.

Alfred Busi lives alone in his villa overlooking the waves. Famed in his tiny Mediterranean town for his music, he is mourning the recent death of his wife and quietly living out his days. Then one night, Busi is viciously attacked by an intruder in his own courtyard—bitten and scratched. He insists his assailant was neither man nor animal. Soon, Busi’s account of what happened is being embellished to fan the flames of old rumor—of an ancient race of people living in the surrounding forest. It is also used to spark new controversy, inspiring claims that something must finally be done about the town’s poor, whose numbers have been growing. In trademark crystalline prose, Jim Crace portrays a man taking stock of his life and looking into an uncertain future, while bearing witness to a community in the throes of great change.