No one said I could do it. No one said I should do it. Then I did it. This book holds the longest haiku ever written, using a syllable hack that will surely be highly debated for years to come. From the comedic mind of Joe Cabello, learn the very nature of what a haiku is and why it exists. This book will make you laugh, then make you cry (but if it makes you cry then laugh, that's good too) PLEASE NOTE: This book is one poem with the letter "m" repeated for over 65 pages. There is more content than the repeated "m," but the majority of the book will simply be that. It is an "artful joke" that will forever change the landscape of your coffee table.

Beyond Haiku peeks through the cockpit door to reveal the poetic heart of airline pilots. Captain Linda Pauwels, instructor pilot on the Boeing 787 and former aviation columnist for the Orange County Register, presents a selection of haiku and short poems by men and women who fly airplanes for a living. The writing is niche and empathetic. The humor is characteristically wry, befitting the pilot persona. Beautiful illustrations, by children of pilots aged 6 to 17, bring this flight of fancy in for a smooth landing. Proceeds from Beyond Haiku will go to the Allied Pilots Association Emergency Relief and Scholarship Fund, to provide support for pilots impacted by industry effects of COVID-19.

This second volume of haiku focusing on the animal kingdom takes you on a journey through a single day with a variety of animal companions. The book will reproduce works by the great 17th and 18th century poets such as Bash, Buson and Issa, as well as later works by contemporary writers and novelists. The haiku form is a perfect way of capturing a moment of experience or a fleeting impression, and in this book, the impressions are strengthened and extended by the illustrations. Special is made of Utamaros exquisite Ehon mushi erabi (A Selection of Insects). The fact that this sophisticated artist chose insects for one of his most luxurious woodblock printed albums underlines the Japanese appreciation of even the most diminutive of animals, which is shown repeatedly, too, in the haiku: even fleas can be the subject of an affectionate poem. Elsewhere in the animal kingdom, horses, dogs, monkeys and a variety of birds also make good subjects. There is a selection of beautiful prints, hanging scroll and hand-scroll paintings that illustrates these too.

A fascinating little illustrated series of 118 haiku about the Periodic Table of Elements, one for each element, plus a closing haiku for element 119 (not yet synthesized). Originally appearing in Science magazine, this gifty collection of haiku inspired by the periodic table of elements features all-new poems paired with original and imaginative line illustrations drawn from the natural world. Packed with wit, whimsy, and real science cred, each haiku celebrates the cosmic poetry behind each element, while accompanying notes reveal the fascinating facts that inform it. Award-winning poet Mary Soon Lee's haiku encompass astronomy, biology, chemistry, history, and physics, such as "Nickel, Ni: Forged in fusion's fire,/flung out from supernovae./Demoted to coins." Line by line, Elemental Haiku makes the mysteries of the universe's elements accessible to all.

"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.