“This strange, subtle story of father-son disaffection and disjointed love is told with [Jones’s] signature narrative inventiveness and dark humor.” —Kris Saknussemm, author of Private Midnight If drinking mercury from a thermometer didn’t kill him, maybe spray painting in an unventilated garage would. Or so Nolan’s father thought. One inspired yet failed suicide attempt after another, each with a note to his son—with only a hint of accusation. But as Nolan sits in an empty office building, the last customer service employee for a nearly obsolete video game, those many suicide notes come back to haunt him. As do the levels of the game that no one plays anymore. And now a homicide detective is on the phone. Maybe his father was right when he wrote that he was teaching Nolan not to give up, that the only way to understand what happened was to make it to the end of the game. But there’s no cheatcode that’s going to get Nolan through this . . . “Two unreliable narrators, a bunch of suicide letters, and a plot that collapses on itself just like the characters do—Stephen Graham Jones is our contemporary Jorge Luis Borges.” —Michael Kimball, author of Big Ray “Like Lethem and Murakami before him, Jones mines his genre fiction past to bring us a work of startling literary merit. Mystery, horror, sci-fi: the ingredients are all in there.” —David Goodwillie, author of Kings County “[A] stark exploration of guilt, grief, and fear. . . . And did I mention that it’s funny? Unplug your consoles, kids, and play this book.” —Zack Wentz, author of The Garbageman and the Prostitute

"Set on the Blackfeet Reservation, the life of one Indian boy, Doby Saxon, is laid bare through the eyes of those who witness it: his near-death experience, his suicide attempts, his brief glimpse of victory, and the overdose of one of his best friends." "But through Doby there emerges a connection to the past, to an Indian Agent who served the United States Government over a century before. This revelation leads to another and another until it becomes clear that the decisions of this single Indian Agent have impacted the lives of generations of Blackfeet. And the life of Doby Saxon, a boy standing in the middle of the road at night, his hands balled into fists, the reservation wheeling all around him like the whole of Blackfeet history."--BOOK JACKET.

When med student Hale is called home by his ailing mother on Halloween night, he and a group of friends are trapped in an inescapable cycle of violence.

A woefully overmatched PI must confront his past and solve a murder in rural Texas.

The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today's society the uneasy relations between Indians and white's is still fueled by mistrust, stereo-types and casual violence.

From the New York Times–bestselling author of the Indian Lake trilogy: Three stories that uncover what’s lurking just beyond your headlights . . . Take a road trip into your darkest nightmares with three stories from the modern master of horror and “one of the best writers working today” (NPR). Here, Bram Stoker Award–winning author Stephen Graham Jones gives evil an all-too-familiar face, whether it’s the man from the dog shelter, a colleague at a work convention, or even just your phone. Horror can reach you everywhere and when you least expect it . . . In “Interstate Love Affair,” a serial killer’s unique way of disposing of his victims’ bodies gives roadkill an even more gruesome meaning. “No Takebacks” tracks how an app goes from an idea to coding to letting loose its creator’s darkest impulses. And there’s nowhere to hide during “The Coming of Night,” when a predator’s latest kill sets off a creepy-crawly timebomb inside of him. Buckle up for page-turning scares from “a genuine horror superstar” (Esquire).

The Fictions of Stephen Graham Jones offers the first collection of scholarship on Jones's ever-expanding oeuvre.