Few issues in our history have proved as shameful as the white man's long conflict with Native Americans. The Indian Removal Act passed by Congress in 1830 was actively fostered by President Andrew Jackson. It called for eastern Indians to relocate west of the Mississippi River to the Oklahoma Territory - an early example of our government's racist policies. Anthony F.C. Wallace deals briefly with Indians of the Northeast, but focuses on the Five Civilized Tribes of the Southeast - Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles, whose ancestral lands were coveted by white settlers to meet exploding domestic and international demands for cotton. Andrew Jackson, Indian fighter and crafty negotiator, is at the book's center. He lived in an age dominated by self-serving moralists and untenable theories of Indians as savage, nomadic hunters who had to be either "civilized" or moved from the white man's path for their own good. The Indian removals in the 1830s over the Trail of Tears that led west culminated in tragedy for the Indians.

An account of Andrew Jackson's Indian Removal Act of 1830, which relocated Eastern Indians to the Okalahoma Territory over the Trail of Tears, and the Bureau of Indian Affairs which was given control over their lives.

In Bitter Trail, Kelton tells the story of a tough teamster named Frio Wheeler whose wagons haul cotton from Texas to Mexico. Sounds like a peaceable enterprise? The problem is that the Civil War is raging throughout the South and Wheeler's cotton is to be sold for gold--gold used to buy guns and ammunition for the Confederate army. And, added to his balky mules, the broiling heat, and killing drought of the Mexican dessert, Wheeler has even more serious matters to contend with: His wagons are attacked, his cotton bales are burned, he is captured and tortured by bandidos in league with Union sympathizers, and he is betrayed by his best friend--his former partner and brother of the woman he loves! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This powerful narrative traces the social, cultural, and political history of the Cherokee Nation during the forty-year period after its members were forcibly removed from the southern Appalachians and resettled in what is now Oklahoma. In this master work, completed just before his death, William McLoughlin not only explains how the Cherokees rebuilt their lives and society, but also recounts their fight to govern themselves as a separate nation within the borders of the United States. Long regarded by whites as one of the 'civilized' tribes, the Cherokees had their own constitution (modeled after that of the United States), elected officials, and legal system. Once re-settled, they attempted to reestablish these institutions and continued their long struggle for self-government under their own laws--an idea that met with bitter opposition from frontier politicians, settlers, ranchers, and business leaders. After an extremely divisive fight within their own nation during the Civil War, Cherokees faced internal political conflicts as well as the destructive impact of an influx of new settlers and the expansion of the railroad. McLoughlin brings the story up to 1880, when the nation's fight for the right to govern itself ended in defeat at the hands of Congress.

In Thomas Jefferson's time, white Americans were bedeviled by a moral dilemma unyielding to reason and sentiment: what to do about the presence of black slaves and free Indians. That Jefferson himself was caught between his own soaring rhetoric and private behavior toward blacks has long been known. But the tortured duality of his attitude toward Indians is only now being unearthed. In this landmark history, Anthony Wallace takes us on a tour of discovery to unexplored regions of Jefferson's mind. There, the bookish Enlightenment scholar--collector of Indian vocabularies, excavator of ancient burial mounds, chronicler of the eloquence of America's native peoples, and mourner of their tragic fate--sits uncomfortably close to Jefferson the imperialist and architect of Indian removal. Impelled by the necessity of expanding his agrarian republic, he became adept at putting a philosophical gloss on his policy of encroachment, threats of war, and forced land cessions--a policy that led, eventually, to cultural genocide. In this compelling narrative, we see how Jefferson's close relationships with frontier fighters and Indian agents, land speculators and intrepid explorers, European travelers, missionary scholars, and the chiefs of many Indian nations all complicated his views of the rights and claims of the first Americans. Lavishly illustrated with scenes and portraits from the period, Jefferson and the Indians adds a troubled dimension to one of the most enigmatic figures of American history, and to one of its most shameful legacies.

Set against the tragic events of the Cherokees' removal from their traditional lands in North Carolina to Indian Territory between 1835-1838, Mountain Windsong is a love story that brings to life the suffering and endurance of the Cherokee people. It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli. Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making. Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.

This book tells the story of the late colonial and early reservation history of the Seneca Indians, and of the prophet Handsome Lake, his visions, and the moral and religious revitalization of an American Indian society that he and his followers achieved in the years around 1800.