Loneliness pervaded the lives of pioneers on the American plains, including the empty expanses of West Texas. Most settlers lived in isolation broken only by occasional community gatherings such as funerals and religious revivals. In The Lonesome Plains, Louis Fairchild mines the letters and journals of West Texas settlers, as well as contemporary fiction and poetry, to record the emotions attending solitude and the ways people sought relief. Hungering for neighborliness, people came together in times of misfortune--sickness, accident, and death--and at annual religious services. In fascinating detail, Fairchild describes the practices that grew up around these two focal points of social life. He recounts the building of coffins and preparation of a body for burial, the conflicting emotions of the pain of death and the hope of heaven, the funeral rite itself, the lost and lonely graves. And he tells the story of yearly outdoor revivals: the choice of the meeting site and construction of the arbor or other shelter, the provision of food, the music and emotionally-charged services, and tangential courting and mischief. Loneliness is most recognized as a feature of life in the time of the early West Texas cattle industry, a period of sprawling cattle ranches and legendary cattle drives, roughly from 1867 to 1885. But Fairchild shows that it also characterized the lives of settlers who lived in West Texas from the beginning of permanent settlement of the Texas Panhandle (around 1876) through the population shift that occured around the turn of the century, as farmers and their families supplanted ranchers and their cattle. Fairchild draws on primary materials of the early residents to give voice to the settlers themselves and skillfully weaves a moving picture of life in the open spaces of West Texas during the frontier-rural period of the late nineteenth and early twentieth centuries.

Texas has nurtured a thriving bluegrass scene since the early 1950s. The Lone Star State boasts the country's first bluegrass college degree and even hosts a Beatles bluegrass cover band. Meet the Pickin' Singin' Professor, the Fiddle Engineer and Blanco's Bluegrass Boy. Hit the trail with cowboys like the Mayfield brothers and go backstage with Grammy-nominated acts like Wood & Wire. Jeff Campbell and Braeden Paul celebrate the musicians who contributed to the harmonious heritage of Texas bluegrass.

Fans of Truman Capote's "In Cold Blood" and John Berendt's "Midnight in the Garden of Good and Evil" will embrace Poe Ballantine's "Love and Terror on the Howling Plains of Nowhere." Poe Ballantine's "Free Rent at the Totalitarian Hotel" included in Best American Essays 2013, and for well over twenty years, Poe Ballantine traveled America, taking odd jobs, living in small rooms, trying to make a living as a writer. At age 46, he finally settled with his Mexican immigrant wife in Chadron, Nebraska, where they had a son who was red-flagged as autistic. Poe published four books about his experiences as a wanderer and his observations of America. But one day in 2006, his neighbor, Steven Haataja, a math professor from the local state college disappeared. Ninety five days later, the professor was found bound to a tree, burned to death in the hills behind the campus where he had taught. No one, law enforcement included, understood the circumstances. Poe had never contemplated writing mystery or true crime, but since he knew all the players, the suspects, the sheriff, the police involved, he and his kindergarten son set out to find out what might have happened.

The U.S. 2nd Cavalry rolls into Texas in the 1870s with orders to keep the peace and persuade the fierce Comanches to move quietly onto the reservation.

Miss Nellie Perry, first visited her brother in the Panhandle in 1888 and eventually came to live in Ochiltree County in 1916. During those years and afterward, she kept journals of her life in the Panhandle.

A postcard craze gripped the nation from 1905 to 1920, as the rise of outdoor photography coincided with a wave of settlement and prosperity in Texas. Hundreds of people took up cameras, and photographers of note chose some of their best work for duplication as photo postcards--sold for a nickel and mailed for a penny to distant friends and relatives. These postcards, which now enjoy another kind of craze in the collecting world, left what author John Miller Morris calls a "significant visual legacy" of the history and social geography of Texas. For more than a decade, Morris has been finding and studying the photographers and methodically gathering their postcards. In "Taming the Land," he shares those finds with readers, introducing each photographer and providing interpretive descriptions of the places, people, or events depicted in the photographs. The stories the cards tell--in the images captured and the messages carried--add an exceptional dimension to our understanding of life in rural Texas a century ago. "Taming the Land" presents postcards from twenty-four counties in the booming Texas Panhandle. This is the first book in a set called Plains of Light, which will collect and document turn-of-the-twentieth-century photo postcards from all over West Texas.

In the winter of 1901, James W. Jarrott led a band of twenty-five homesteader families toward the Llano Estacado in far West Texas, newly opened for settlement by a populist Texas legislature. But frontier cattlemen who had been pasturing their herds on the unfenced prairie land were enraged by the encroachment of these “nesters.” In August 1902 a famous hired assassin, Jim Miller, ambushed and murdered J. W. Jarrott. Who hired Miller? This crime has never been solved, until now. Award-winning author Bill Neal investigates this cold case and successfully pieces together all the threads of circumstantial evidence to fit the noose snugly around the neck of Jim Miller’s employer. What emerges from these pages is the strength of intriguing characters in an engrossing narrative: Jim Jarrott, the diminutive advocate who fearlessly champions the cause of the little guy. The ruthless and slippery assassin, Deacon Jim Miller. And finally Jarrott’s young widow Mollie, who perseveres and prospers against great odds and tells the settlers to “Stay put!”