In 'The London Scene: Six Essays', Virginia Woolf explores the essence of post-World War I London through a series of reflective essays. Through her unique stream-of-consciousness writing style, Woolf vividly captures the bustling streets, vivid characters, and changing landscape of the city. Each essay reveals Woolf's keen observations and deep connection to London's social and cultural atmosphere, making this collection a valuable literary portrayal of the early 20th-century city life. Woolf's innovative approach to storytelling and unparalleled ability to convey the complexities of human experience set this collection apart in the realm of modern literature. As a prominent figure in the Bloomsbury Group and a pioneering feminist writer, Woolf's perspective offers readers a nuanced and thought-provoking exploration of London's dynamic nature. 'The London Scene' is a must-read for those interested in urban studies, literary criticism, and the evolution of modernist literature.

This collection of essays inspired by the celebrated writer's favorite walks is available in its entirety for the first time in North America. 96 p p.

In 'The London Scene: Six Essays on London' by Virginia Woolf, the reader is treated to a collection of insightful essays that capture the essence of London in the early 20th century. Woolf's lyrical prose and keen observation bring the bustling city to life, as she explores its streets, neighborhoods, and inhabitants with unparalleled depth and precision. Each essay offers a unique perspective on London, shedding light on both its beauty and complexity, making it a must-read for anyone interested in urban studies or English literature. Woolf's distinctive style, characterized by its fluidity and sophistication, adds an extra layer of richness to the text, elevating it to a classic work of non-fiction. Virginia Woolf, a prominent figure in the Bloomsbury Group, drew inspiration from her own experiences in London to write these essays. Her deep connection to the city and her talent for introspection allowed her to create a vivid and authentic portrayal of urban life. Woolf's status as a leading modernist writer further enhances the credibility and significance of 'The London Scene,' solidifying its place in literary history. For readers who appreciate elegant prose, insightful commentary, and a nuanced exploration of city life, 'The London Scene: Six Essays on London' offers a captivating journey through one of the world's most iconic cities. Woolf's masterful storytelling and acute observations make this book a timeless gem that continues to inspire and delight readers to this day.

Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.

"A mystery and an elegy for the death of old-fashioned journalism, it's a book that will warm your heart" The Observer "On Hampstead Heath is a deliciously romantic comedy of misunderstandings and misbehaviour - I loved it" Clare Chambers, author of SMALL PLEASURES Thorn Marsh was raised in a house of whispers, of meaningful glances and half- finished sentences. Now she's a journalist with a passion for truth, more devoted to her work at the London Journal than she ever was to her ex-husband. When the newspaper is bought by media giant The Goring Group, who value sales figures over fact-checking, Thorn openly questions their methods, and promptly finds herself moved from the news desk to the midweek supplement, reporting heart-warming stories for their new segment, The Bright Side, a job to which she is spectacularly unsuited. On a final warning and with no heart-warming news in sight, a desperate Thorn fabricates a good-news story of her own. The story, centred on an angelic apparition on Hampstead Heath, goes viral. Caught between her principles and her ambitions, Thorn goes in search of the truth behind her creation, only to find the answers locked away in the unconscious mind of a stranger. Marika Cobbold returns with her eighth novel, On Hampstead Heath. Sharp, poignant, and infused with dark humour, On Hampstead Heath is an homage to storytelling and to truth; to the tales we tell ourselves, and the stories that save us. "Splendid . . . Funny, poignant, perceptive and plenty of sharp elbows along the way" Val McDermid

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

In the mid-twentieth century, Virginia Woolf published ‘Six Articles on London Life’ in Good Housekeeping magazine, a popular magazine where fashion, cookery and house decoration is largely featured. This first book-length study of what Woolf calls ‘little articles’ proposes to reassess the commissioned essays and read them in a chronological sequence in their original context as well as in the larger context of Woolf’s work. Drawing primarily on literary theory, intermedial studies, periodical studies and philosophy, this volume argues the essays which provided an original guided tour of London are creative and innovative works, combining several art forms while developing a photographic method. Further investigation examines the construct of Woolf’s essays as intermedial and as partaking both of theory and praxis; intermediality is closely connected here with her defense of a democratic ideal, itself grounded in a dialogue with her forebears. Far from being second-rate, the Good Housekeeping essays bring together aesthetic and political concerns and come out as playing a pivotal role: they redefine the essay as intermedial, signal Woolf’s turn to a more openly committed form of writing, and fit perfectly within Woolf’s essayistic and fictional oeuvre which they in turn illuminate.