"The coin that meant death-- or instant riches! Assisted by the fast legwork of young Harry Vincent and the efficient brain of Claude Fellows, The Shadow solves a series of seemingly unrelated murders and unmasks a ruthless arch villain. First episode of this legendary series"--Page 4 of cover.

How our dominant Christian worldview shapes everything from personal behavior to public policy (and what to do about it) Over the centuries, Christianity has accomplished much which is deserving of praise. Its institutions have fed the hungry, sheltered the homeless, and advocated for the poor. Christian faith has sustained people through crisis and inspired many to work for social justice. Yet although the word "Christian" connotes the epitome of goodness, the actual story is much more complex. Over the last two millennia, ruling elites have used Christian institutions and values to control those less privileged throughout the world. The doctrine of Christianity has been interpreted to justify the killing of millions, and its leaders have used their faith to sanction participation in colonialism, slavery, and genocide. In the Western world, Christian influence has inspired legislators to continue to limit women's reproductive rights and has kept lesbians and gays on the margins of society. As our triple crises of war, financial meltdown, and environmental destruction intensify, it is imperative that we dig beneath the surface of Christianity's benign reputation to examine its contribution to our social problems. Living in the Shadow of the Cross reveals the ongoing, everyday impact of Christian power and privilege on our beliefs, behaviors, and public policy, and emphasizes the potential for people to come together to resist domination and build and sustain communities of justice and peace. Paul Kivel is the award-winning author of Uprooting Racism and the director of the Christian Hegemony Project. He is a social justice activist and educator who has focused on the issues of violence prevention, oppression, and social justice for over forty-five years.

The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.

I had to do something to escape Hitler's clutches, writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris until German canons can be heard in the distance before deciding to escape by bicycle across France, as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. Thus, in a memoir written at age 79, Esti Fraud, daughter-in-law of Sigmund Freud and wife of his oldest son, Martin, looks back on her life starting before the 20th century, lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mothers' death, daughter Sophie turned to Esti's memoir as the scaffold for this book, expanding it through family letters, archival material, and her own diary penned as a teenager. Out of these documents, Sophie Freud has created a many-voiced mosaic, including letters and insights from a wide cast of characters who tell the story of a famous family—and of a century. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was too beautiful for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was not a financially favorable linkage, and that his family was not respectable since patriarch Sigmund was just another psychiatrist, and one who writes pornography books at that. Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate—and perhaps disturb—readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.