This collection elucidates the complexity of living politics in the 21st century, considering how self-help groups draw on shared regional traditions, and how they adapt their actions to the diverse formal political environments in which they operate. It considers the nexus between ideas and action in a world where the conventional ‘right-left’ divide has a decreasing hold on the political imagination. Examining grassroots self-help actions as responses to everyday life problems, it argues that whilst action may be initiated by encounters with ideas that come into the community from outside, often the flow of cause and effect works in the opposite direction. Focusing on countries both politically dynamic and with long-standing historical and cultural connections - China (including Inner Mongolia), Japan, Taiwan and Korea – this book fills a significant gap in the literature on social movements, demonstrating that survival itself is a political act.

This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have well-grounded knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large.

Youth Politics in Urban Asia examines how young people’s political actions in Asia are the product of their urban realities, and at the same time, appreciates that young people are striving to remake these urban spaces in a myriad of tangible and intangible ways. The book explores the ways in which urban development and urban governance in Asia enable or constrain young people’s citizenship, aspirations, and responses to a variety of socioeconomic and political issues in the region. Informed by qualitative and ethnographic approaches, featuring locales ranging from Pune to Shanghai, the chapters broadly address three themes: the variegated ways in which youth politics is constituted and has manifested in Asian cities; the role of cities in shaping and mediating youth politics in Asia; and whether it is possible to conceive of youth politics across urban Asia as diverse and specific, but also structurally entangled. In examining how young people’s political performances and social actions are shaped by, and conversely, shape, Asian urban spaces, this collection advances a deeper understanding of the interplay of youth politics and urban environments. It will be an essential text for scholars and students interested in young people’s politics, urban studies, and social change in Asia. The chapters in this book were originally published as a special issue of the journal Space and Polity.

The first two decades of the twenty-first century have witnessed a rise of populism and decline of public confidence in many of the formal institutions of democracy. This crisis of democracy has stimulated searches for alternative ways of understanding and enacting politics. Against this background, Tessa Morris-Suzuki explores the long history of informal everyday political action in the Japanese context. Despite its seemingly inflexible and monolithic formal political system, Japan has been the site of many fascinating small-scale experiments in 'informal life politics': grassroots do-it-yourself actions which seek not to lobby governments for change, but to change reality directly, from the bottom up. She explores this neglected history by examining an interlinked series of informal life politics experiments extending from the 1910s to the present day.

This book is an important contribution to our understanding of food in China through an ethnographic case study of an alternative food movement in Shanghai and the surrounding countryside. Cody examines a group of middle-class urban residents who move to the countryside to establish small-scale and independent organic farms. The book explores the complex relationships movement protagonists have with customers in the city, rural neighbours in the countryside, volunteers on their farms, intellectuals involved in rural reconstruction initiatives as well as the organic items they produce. In doing so, Cody provides valuable insights into the urban/rural dichotomy and questions of morality in China today. This book speaks to several concerns associated with the accelerated modernization China and other Asian nations are experiencing, including food safety and class relations. It will appeal to scholars and practitioners across a range of fields including anthropology, food studies, rural development and China Studies.

In the world, the home and the state prove themselves and change as basic institutions of human coexistence. They are the subject of a comparative study on an ecotheoretical basis. In the global context, the modes of social control have developed differently in the home and the state. In and with them, order is created in the world and for the individual and collective conduct of life. The institutional frameworks of house and state in the world are ways of shaping existence that are juxtaposed in their European-Occidental and East Asian forms: Their discussion takes place along the ancient Greek basic concepts and forms of thought of the oikos, the polis and the cosmos on the one hand and the ancient Chinese categories jia, guo and tianxia on the other. They are discussed with their ethical, political and economic references in their traditional and contemporary meaning and with regard to their ecological sustainability. The interest in a discursive understanding of sustainable, life-serving orders in the face of global challenges is the guiding principle

Charismatic artists recruit desperate migrants for site-specific performance art pieces, often without compensation. Construction workers threaten on camera to jump from the top of a high-rise building if their back wages are not paid. Users of a video and livestreaming app hustle for views by eating excrement or setting off firecrackers on their genitals. In these and many other recent cultural moments, China’s suppressed social strife simmers—or threatens to boil over. On the Edge probes precarity in contemporary China through the lens of the dark and angry cultural forms that chronic uncertainty has generated. Margaret Hillenbrand argues that a vast underclass of Chinese workers exist in “zombie citizenship,” a state of dehumanizing exile from the law and its safeguards. Many others also feel precarious—sensing that they live on a precipice, with the constant fear of falling into this abyss of dispossession, disenfranchisement, and dislocation. Examining the volatile aesthetic forms that embody stifled social tensions and surging anxiety over zombie citizenship, Hillenbrand traces how people use culture to vent taboo feelings of rage, resentment, distrust, and disdain in scenarios rife with cross-class antagonism. On the Edge is highly interdisciplinary, fusing digital media, art history, literary criticism, and performance studies with citizenship, protest, and labor studies. It makes both the distinctive Chinese experience and the vital role of culture central to global understandings of how entrenched insecurity and civic jeopardy fray the bonds of the social contract.