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Lots of people want gardens but find the prospect of getting started a bit daunting. P. Allen Smith's Garden Home is P. Allen Smith's inviting solution. Smith begins with his own story: his family's love of gardens and experience in the nursery business, his own education at the great gardens of England, and his discovery that we all have, as he says, "a longing for our agrarian past." After walking us through his own "garden home" and explaining why he made the choices he did, Allen introduces his 12 principles of garden design, discussing such topics as a sense of enclosure, framing the view, texture, pattern, rhythm, and, of course, color. Then, with step-by-step projects, he shows readers how to apply the principles in their own garden homes. For the millions of people who know Smith through his syndicated television show, Weather Channel segments, and appearances on The Early Show, this book is the irresistible invitation to follow him into the garden.

Between the well-documented development of colonial Bombay and sprawling contemporary Mumbai, a profound shift in the city's fabric occurred: the emergence of the first suburbs and their distinctive pattern of apartment living. In House, but No Garden Nikhil Rao considers this phenomenon and its significance for South Asian urban life. It is the first book to explore an organization of the middle-class neighborhood that became ubiquitous in the mid-twentieth-century city and that has spread throughout the subcontinent. Rao examines how the challenge of converting lands from agrarian to urban use created new relations between the state, landholders, and other residents of the city. At the level of dwellings, apartment living in self-contained flats represented a novel form of urban life, one that expressed a compromise between the caste and class identities of suburban residents who are upper caste but belong to the lower-middle or middle class. Living in such a built environment, under the often conflicting imperatives of maintaining the exclusivity of caste and subcaste while assembling residential groupings large enough to be economically viable, led suburban residents to combine caste with class, type of work, and residence to forge new metacaste practices of community identity. As it links the colonial and postcolonial city--both visually and analytically--Rao's work traces the appearance of new spatial and cultural configurations in the middle decades of the twentieth century in Bombay. In doing so, it expands our understanding of how built environments and urban identities are constitutive of one another.

The New Australian Garden is an insider's account of the journey to design, construct and plant 18 landmark gardens that represent a new movement in Australian landscape design - one where the relationship between architecture and garden is paramount. Landscaper Michael Bates, working alone and in collaboration with some of the greatest design talents in the field, creates spaces that connect indoor to outdoor through masterful use of levels, innovative materials and experimental planting. Traditional lawns are reimagined as contoured sculptural forms, and water and fire pits inject life and energy into open spaces. The resulting gardens are destination spaces, sanctuaries and breathtaking backdrops for everyday life.