With her older sister planning a wedding and her younger sister preparing to launch a career on the stage, Lulu can't help but feel like the failure of the Atwater family. Lulu loves her sisters dearly and wants nothing but the best for them, but she finds herself stuck in a rut. When her mother sends her to look for some old family recipes in the attic, she stumbles across a collection of letters written by her great-great-grandmother Josephine March. Jo writes in detail about every aspect of her life: her older sister Meg's new home and family; her younger sister Amy's many admirers; the family's shared grief over losing Beth; and her own feelings towards a handsome young German. As Lulu delves deeper into the lives of the March sisters, she finds solace and guidance, but can her great-great-grandmother help Lulu find a place in a world so different from the one Jo knew?--From publisher description.

USA TODAY sings that “Fans of Louisa May Alcott can rejoice” thanks to this charming and uplifting story of the imagined lives of three of Jo March’s passionate, spirited descendants. With her older sister, Emma, planning a wedding and her younger sister, Sophie, preparing to launch a career on the London stage, Lulu can’t help but feel like the failure of the Atwater family. Lulu loves her sisters dearly and wants nothing but the best for them, but she finds herself stuck in a rut, with no romantic prospects in sight. Then Lulu stumbles across a collection of letters written by her great-great-grandmother Josephine March. As she delves deeper into the lives and secrets of the March sisters, she finds solace and guidance. Can Lulu find her own place in the world? As essential as Louisa May Alcott’s Little Women, Gabrielle Donnelly’s novel will speak to anyone who’s ever fought with a sister, fallen in love with a fabulous pair of shoes, or wondered what on earth life had in store for her.

When Josephine March's great-great-granddaughter stumbles across her letters, the Little Women shed a glorious light on a new generation of sisters. The Atwaters are a loving, sprawling mess of a family and Fee's three daughters, Emma, Lulu and Sophie couldn't be less alike if they tried. Emma is planning her wedding, Sophie is an up-and-coming actress, but Lulu - the cleverest of them all - is more than a little lost. If life is for living, why is she stuck in a series of dead-end jobs? Grandma Jo's letters had been gathering dust in the attic for decades, but when Lulu gets her hands on them, everything seems to change and different worlds begin to open up. And even though dark family secrets emerge, Jo's words offer comfort and guidance across the centuries. Sometimes family is all that matters. And sisters are the closest friends you can find.

Offers a portrait of Louisa May Alcott through a collection of personal letters and journal entries, giving insight into her life and her work.

"A special edition of Louisa May Alcott's classic novel, featuring removable, handwritten letters and manuscripts by the characters"--

In 1870, Louisa May Alcott and her younger sister Abby May Alcott began a fourteen-month tour of Europe. Louisa had already made her mark as a writer; May was on the verge of a respected art career. Little Women Abroad gathers a generous selection of May’s drawings along with all of the known letters written by the two Alcott sisters during their trip. More than thirty drawings are included, nearly all of them previously unpublished. Of the seventy-one letters collected here, more than three-quarters appear in their entirety for the first time. Daniel Shealy’s supporting materials add detail and context to the people, places, and events referenced in the letters and illustrations. By the time of the Alcott sisters’ sojourn, Louisa’s Little Women was already an international success, and her most recent work, An Old-Fashioned Girl, was selling briskly. Louisa was now a grand literary lioness on tour. She would compose Little Men while in Europe, and her European letters would form the basis of her travel book Shawl Straps. If Louisa’s letters reveal a writer’s eye, then May’s demonstrate an eye for color, detail, and composition. Although May had prior art training in Boston, she came into her own only during her studies with European masters. When at a loss for words, she took her drawing pen in hand. These letters of two important American artists, one literary, the other visual, tell a vibrant story at the crossroads of European and American history and culture.