In 1950s Hollywood, an actress is haunted by a bookseller’s death: A novella from the Edgar Award-winning author of Give Me Your Hand. In 1953, Penny is just another washed-up, wannabe Hollywood actress who is past her prime. She has settled in to a quiet lifestyle, and when she finds a low-rent bungalow in Canyon Arms, it’s a dream come true; Penny takes to the place instantly. But the dream cottage with its French doors and tiled courtyard may not be as perfect as it seems. Penny’s new neighbors start filling her head with stories about past tenants, whispering voices, and a suicide that may not have been a suicide at all. Soon enough, Penny starts hearing strange noises and she can’t help but wonder about the true fate of the bookseller who died in her home a dozen years earlier. Her suspicions are only fueled by the ominous inscription that she discovers in a book that’s closely guarded by her landlord . . . From the national bestselling author of Dare Me and other thrillers, this is a spooky mystery set on the dark fringes of glamorous Los Angeles. The Bibliomysteries are a series of short tales about deadly books, by top mystery authors.

Little Women is based on author Louisa May Alcott’s experiences growing up with three sisters as they face and overcome serious financial straits, life-threatening illness, and other heartaches. Little Men continues the story of Jo March as she and her husband, Professor Bhaer, open up their home to care for a group of young boys.

Die-cut windows reveal glimpses of what five spacemen observe as they fly around the world, then leave one by one because they do not like what they see.

"Little Women: or Meg, Jo, Beth and Amy" (1868), is a semi-autobiographical account of the author's childhood with her sisters in Concord, Massachusetts. Part two, or Part Second, also known as Good Wives (1869), follows the March sisters into adulthood and their respective marriages. Little Men (1871) details Jo's life at the Plumfield School that she founded with her husband Professor Bhaer at the conclusion of Part Two of Little Women. And Jo's Boys (1886) completes the "March Family Saga". Louisa May Alcott (1832 - 1888) was an American novelist best known as author of the Little Women series. Alcott made women's rights integral to her stories, and her fiction became her "most important feminist contribution" — even considering all the efforts Alcott made to help facilitate women's rights during her lifetime.

The first part of Little Women: or Meg, Jo, Beth and Amy (1868), is a semi-autobiographical account of her childhood with her sisters in Concord, Massachusetts. Part two, or Part Second, also known as Good Wives (1869), followed the March sisters into adulthood and their respective marriages. Little Men (1871) detailed Jo's life at the Plumfield School that she founded with her husband Professor Bhaer at the conclusion of Part Two of Little Women. And Jo's Boys (1886) completed the "March Family Saga". Alcott made women's rights integral to her stories, and her fiction became her "most important feminist contribution" — even considering all the efforts Alcott made to help facilitate women's rights during her lifetime. Louisa May Alcott (1832 – 1888) was an American novelist best known as author of the novel Little Women, Good Wives and the sequels Little Men and Jo's Boys.

A writer navigates shady—and potentially deadly—political campaigns in this vibrant graphic novel about unconscious bias and how the cynical exploit it. April Wells, a celebrated African-American memoirist and essayist, lands a writing assignment unlike any she has had before: covering the presidential campaign of the presumptive Democratic nominee, William Waters, for a high-profile magazine. Waters, a well-spoken progressive with lofty ideals of unity in diversity, faces the polar opposite in his Republican challenger, the anti-intellectual, narcissistic Lee Newsome, who seeks to gain power by sowing division. Ahead of the Democratic National Convention, to be held in April’s hometown, Waters must also contend with a potential Achilles’ heel: persistent rumors that he has cheated on his wife with young male staffers. At first excited about the assignment, April sometimes feels out of her depth and wonders why she was chosen instead of a veteran journalist. When a woman contacts her accusing Waters of sexual assault, April is torn: should she do her job and report this? Or should she sit on it, in case the damage to Waters’s reputation would help Newsome win the presidency? Events soon spiral out of control, and April, feeling that her life may be in danger but mistrusting the police and the FBI, thinks of one person she can count on: the Big Man, a longtime friend from her hometown, now its mayor. Along with his stalwart crew of Little Men, they set out to unravel a gripping mystery that goes all the way to the top.