A delicious true crime account of a murder most gallic—think CSI Paris meets Georges Simenon—whose lurid combination of sex, brutality, forensics, and hypnotism riveted first a nation and then the world. In 1889, the gruesome murder of a lascivious court official at the hands of a ruthless con man and his pliant mistress launched the trial of the century. When Toussaint-Augustin Gouffé entered 3, rue Tronson du Coudray, expecting a delightful assignation with the comely Gabrielle Bompard, he was instead murdered by Gabrielle and her lover, Michel Eyraud. An international manhunt chased the infamous couple from Paris to America’s West Coast, culminating in a sensational trial that investigated the power of hypnosis to possess, control, and even kill. As the inquiry into the guilt or innocence of the woman the French tabloids dubbed the “Little Demon” intensified, the most respected minds in France vehemently debated: Was Gabrielle Bompard the pawn of her mesmerizing lover or simply a coldly calculating murderess capable of killing a man in cold blood?

Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature. Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub’s most famous novel, and received both popular and critical attention on its publication despite its less-than-favorable depictions of provincial Russian life. Its portrayal of Peredonov as a paranoid character simultaneously both banal and bereft of goodness is an essay on the Russian concept of poshlost; a theme that makes an appearance in many other Russian novels, not least Chichikov in Gogol’s Dead Souls. This translation (primarily by John Cournos) was published in 1916, and includes a preface by Sologub for the English-speaking reader. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature. Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub’s most famous novel, and received both popular and critical attention on its publication despite its less-than-favorable depictions of provincial Russian life. Its portrayal of Peredonov as a paranoid character simultaneously both banal and bereft of goodness is an essay on the Russian concept of poshlost; a theme that makes an appearance in many other Russian novels, not least Chichikov in Gogol’s Dead Souls. This translation (primarily by John Cournos) was published in 1916, and includes a preface by Sologub for the English-speaking reader.

A dark classic of Russia's silver age, this blackly funny novel recounts a schoolteacher's descent into sadism, arson and murder. Mad, lascivious, sadistic and ridiculous, the provincial schoolteacher Peredonov torments his students and has hallucinatory fantasies about acts of savagery and degradation, yet to everyone else he is an upstanding member of society. As he pursues the idea of marrying to gain promotion, he descends into paranoia, sexual perversion, arson, torture and murder. Sologub's anti-hero is one of the great comic monsters of twentieth-century fiction, subsequently lending his name to the brand of sado-masochism known as Peredonovism. The Little Demon (1907) made an immediate star of its author who, refuting suggestions that the work was autobiographical, stated 'No, my dear contemporaries ... it is about you'. This grotesque mirror of a spiritually bankrupt society is arguably the finest Russian novel to have come out of the Symbolist movement. Fyodor Sologub was born in St Petersburg in 1863. His first two novels Bad Dreams (1896) and The Little Demon (1907) were drawn from his own experiences as schoolmaster in a remote provincial town. For many years Sologub could not find a publisher for The Little Demon but when in 1907 the novel was at last published - to immediate and resounding success - he was able to leave his restricting career and devote himself to literature. In 1921 his wife committed suicide and Sologub died a few years later in 1927. Ronald Wilks studied Russian language and literature at Trinity College,Cambridge, after training as a Naval interpreter, and later Russian literature at London University. He has translated many works from Russian for Penguin Classics, including books by Gorky, Gogol, Pushkin, Tolstoy and Chekhov.

The era of Russian Symbolism (1892-1917) has been called the Silver Age of Russian culture, and even the Second Golden Age. Symbolist authors are among the greatest Russian authors of this century, and their activities helped to foster one of the most significant advances in cultural life (in poetry, prose, music, theater, and painting) that has ever been seen there. This book is designed to serve as an introduction to Symbolism in Russia, as a movement, an artistic method, and a world view. The primary emphasis is on the history of the movement itself. Attention is devoted to what the Symbolists wrote, said, and thought, and on how they interacted. In this context, the main actors are the authors of poetry, prose, drama, and criticism, but space is also devoted to the important connections between literary figures and artists, philosophers, and the intelligentsia in general. This broad, detailed and balanced account of this period will serve as a standard reference work an encourage further research among scholars and students of literature.

The story is told in first person from the protagonist Joshua. He is slowly going insane and the only thing that keeps him stable is the three-foot tall demon girl who lives in his closet.

Louisiana homicide detective Kara Gillian is doing her best to cope with everything that's happened to her over the past year, all while s continuing to hone her skills as a demon summoner. But lately she's beginning to wonder if there's a little too much demon in her world. She has a demon for a roommate, the demonic lord Rhyzkahl is still interested in her for reasons she can't fathom, and now someone in the demon realm is trying to summon her. And there's no way that can end well. Meanwhile, people who've hurt Kara in the past are dropping dead. Kara is desperate to find the reasons for the deaths to clear her own name, but when she realizes there's an arcane pattern to the deaths, she knows that both the human and the demon worlds may be at risk unless she finds out who's behind it all. She's in a race against the clock and in a battle for her life that just may take her to hell and back.Sins of the Demon is the exciting fourth installment of the Kara Gillian series.