Journeying from the green, rain-soaked Kerala into the amphitheatre of the Sun, our traveller-journalist finds that there is no better metaphor than the desert to instil the lessons of life and death, love and hatred, thirst and water. From a single shower of rain which brings the gaaf tree back to life after a decade to the ever-shifting dunes of gold and thousand-year-old sand palaces, the mysterious poetry of the desert is everywhere on display, if one but has the eye and heart to see it. As the deserts of Nafud, Dahna, and Rub’ al Khali in Arabia both embrace and trap the travellers, the outpouring of the landscape’s longing for rivers recalls a past filled with water. This narrative describes the history, prehistory, archaeology, legends, folklore, and travails of the émigré Asian work force that tames the harsh desert as never before.

The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?

HARRY THE CAMEL lives in the sand dunes of Dubai, and he often watches from a distance as the beautifully sleek race horses at the track run their laps. He laments that his back isn't as smooth as theirs and wonders how much faster he could run without his bulky old hump.

In a big Arabian city, an orphan boy is forced to work as a camel jockey - a dangerous job he doesn't like. But a new friendship and a magical escape into the desert are about to change his life... Camel racing is a popular sport in the Gulf states. Child jockeys are used to ride the camels and come from Pakistan, Bangladesh, Sudan, Mauritania and Eritrea. Often poor families are persuaded to sell sons as young as five years old, who are taken away to be trained and often badly treated. Qatar, Oman and the United Arab Emirates have banned the use of child jockeys and are returning the children to their families so that they can live a normal life. Robots are now being used in place of jockeys in the United Arab Emirates, but in some Middle Eastern countries small children are still being forced to race camels. "The pictures are beautiful - really evocative." Elizabeth Laird, prize-winning author of Crusade, The Garbage King and Lost Riders (also about a camel jockey)

An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.