2018 Edition. 178 pages.This book is about the first challenge of research writing: how to structure many, complex details into a coherent whole. It offers a method for building a structurally sound research paper from scratch.The book is primarily intended for PhD candidates and postdocs but could also serve researchers on the tenure track. Most examples in the book come from research papers in economics.The method has been taught at various PhD programs, including Berkeley, Columbia, Harvard, MIT, Princeton, Oxford etc. Learn more at www.econscribe.org

A concise, lively, and bracing exploration of an issue bedeviling our cultural landscape–plagiarism in literature, academia, music, art, and film–by one of our most influential and controversial legal scholars. Best-selling novelists J. K. Rowling and Dan Brown, popular historians Doris Kearns Goodwin and Stephen Ambrose, Harvard law professor Charles Ogletree, first novelist Kaavya Viswanathan: all have rightly or wrongly been accused of plagiarism–theft of intellectual property–provoking widespread media punditry. But what exactly is plagiarism? How has the meaning of this notoriously ambiguous term changed over time as a consequence of historical and cultural transformations? Is the practice on the rise, or just more easily detectable by technological advances? How does the current market for expressive goods inform our own understanding of plagiarism? Is there really such a thing as “cryptomnesia,” the unconscious, unintentional appropriation of another’s work? What are the mysterious motives and curious excuses of plagiarists? What forms of punishment and absolution does this “sin” elicit? What is the good in certain types of plagiarism? Provocative, insightful, and extraordinary for its clarity and forthrightness, The Little Book of Plagiarism is an analytical tour de force in small, the work of “one of the top twenty legal thinkers in America” (Legal Affairs), a distinguished jurist renowned for his adventuresome intellect and daring iconoclasm.

Author and journalist Gene Fowler put it best: “Writing is easy; all you do is sit staring at a blank sheet of paper until the drops of blood form on your forehead.” Anyone who has ever wanted or been required to create something more complicated than a shopping list or a Tweet knows there’s more truth than poetry in the observation. The process can be difficult, frustratingly so when we realize that although we use words all the time, coming up with the right ones can be a daunting task. Even the most celebrated writers have reflected on this creative process, and their observations and conclusions are collected in this book. The compiler, himself no stranger to a blank page or computer screen, has selected the wisest and wittiest utterances on such subjects as why we write (Ernest Hemingway: “I have a good life but I must write because if I do not write a certain amount I do not enjoy the rest of my life.”); how to write (Anton Chekhov: “Don’t tell me the moon is shining; show me the glint of light on broken glass.”); and writing for money (Cormac McCarthy: “I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this.”). It has been said that reading won’t make you a good writer, but it will make you a better writer. Dip into this lively and useful treasure trove, and you’ll be well on your way.

Focuses on business documents and business-writing needs, making both the business writer's job easier, not to mention the reader of the final version.

A manual of good diction, composition, sentence craft, paragraph design, structure and planning, this is a book on technique, style, craft and manners for everyone who writes and wants to do it better. It is a guide to lively and readable writing.

Collection of very short horror stories with some poems, true facts, horror comics, and illustrations.