The fascinating process of translation in its many varieties is the subject of the essays in this book. Five of the essays discuss the theoretical aspects common to all works of translation. Other essays elucidate the particular processes of translating literature, drama, social science, classics, and songs. How computers can assist in translation and the economics of translation are the subjects of two of the essays. Considering translation as a discipline, the sixteen authors of these essays provide a complete perspective on translation for students considering translation as a career and for anyone interested in how a translation is made.

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

This volume engages critically with the recent and ongoing consolidation of "world literature" as a paradigm of study. On the basis of an extended, active, and ultimately more literary sense of what it means to institute world literature, it views processes of institutionalization not as limitations, but as challenges to understand how literature may simultaneously function as an enabling and exclusionary world of its own. It starts from the observation that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academies and academics, critics, and readers, as well as authors themselves. This volume therefore substantiates, refines, as well as interrogates current approaches to world literature, such as those developed by David Damrosch, Pascale Casanova, and Emily Apter. Sections focus on the poetics of writers themselves, market dynamics, postcolonial negotiations of discrete archives of literature, and translation, engaging a range of related disciplines. The chapters contribute to a fresh understanding of how singular literary works become inserted in transnational systems and, conversely, how transnational and institutional dimensions of literature are inflected in literary works. Focusing its methodological and theoretical inquiries on a broad archive of texts spanning the triangle Europe-Latin America-Africa, the volume unsettles North America as the self-evident vantage of recent world literature debates. Because of the volume’s focus on dialogues between world literature and fields such as postcolonial studies, translation studies, book history, and transnational studies, it will be of interest to scholars and students in a range of areas.

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

This five-volume work presents the collected papers of the twenty-first congress of the International Comparative Literature Association (ICLA), which took place at the University of Vienna (Austria) from July 21st to July 27th 2016 and was dedicated to the general topic "The Many Languages of Comparative Literature". The contributions gathered in these volumes explore many of the countless ways in which language shapes not only ?national? literatures and ?world literature?, but also the discipline of comparative literature itself. As a whole, these proceedings highlight the opportunities and the challenges associated with the multilingualism of both the discipline and the objects of its study. Yet they also go beyond reflections on the scholarly language of comparative literature in order to investigate how language functions within diverse literary texts and their contexts. Contributors to this compilation are concerned, amongst other aspects, with the way the language used by different social and ethnic groups feeds into literary texts; with the vocabulary of theoretical and cultural discourses such as gender studies and ecocriticism; and with language in a metaphorical sense, as referring to certain codes, forms, or styles. Moving between the discussion of literature itself and the observation of how literature is being discussed, this collection testifies to the polyglot, diverse, and ever-evolving state of the discipline.