While few historians would dispute the importance of the printed book in the development of domestic design in 18th- and 19th-century Britain, this is the first major study to trace the evolution of architectural ideas during the period by examining the literary output of architects. It is a work of extraordinary scholarship, based on an extensive search of dozens of major library collections, that will serve as a standard resource for researchers and librarians, book dealers and collectors. Most of the book is devoted to descriptions of hundreds of books and periodicals containing original designs for domestic structures. The earliest title described is Colen Campbell's Vitruvius Britannicus (1715), an important Palladian manifesto and the first book to illustrate a series of the author's own executed designs for dwellings, intended to redirect and reform British architectural taste, and the latest title is Supplement (1842) to John Claudius Loudon's Encyclopedia. Related materials on agriculture, landscape design, drawing, and perspective also are covered. Each entry includes a bibliographic description of all known editions and a commentary that describes and analyzes the text and plates, focusing in particular on the author's ideas and approaches to design issues. Appendixes to the principal entries provide a checklist of additional handbooks and manuals by important authors such as Crunden, Halfpenny, Langley, Nicholson, Pain, Richardson, Salmon, and Swan, and books showing domestic interiors. There is also a valuable short-title chronological list, and a list of printers, publishers, and booksellers. In a lengthy introductory essay, Archer discusses architecture and the book trade, the format and content of the books, and aspects of architectural theory and design-including ideas of "character" and "retirement," dwelling types such as villas, cottages, and row houses, model housing for laborers, and town and village planning. John Archer is Associate Professor in the Humanities Program at the University of Minnesota.

'Victorian Houses' presents the architectural detailing of the time in the context of the era - providing a comprehensive understanding of its architecture and design. Pattern books played a vital role in the dissemination of taste between architect, builder and client in the nineteenth and early twentieth century. By focusing on the contribution of the pattern book to the architecture of the Victorian and Edwardian eras, the various trends of the time are documented. The types of publications and other sources of taste available at different points over this period reflected social and economic factors, such as the changing demand or changes in organisation of manufacturing and retail.

The Oxford Companion to Family and Local History is the most authoritative guide available to all things associated with the family and local history of the British Isles. It provides practical and contextual information for anyone enquiring into their English, Irish, Scottish, or Welsh origins and for anyone working in genealogical research, or the social history of the British Isles. This fully revised and updated edition contains over 2,000 entries from adoption to World War records. Recommended web links for many entries are accessed and updated via the Family and Local History companion website. This edition provides guidance on how to research your family tree using the internet and details the full range of online resources available. Newly structured for ease of use, thematic articles are followed by the A-Z dictionary and detailed appendices, which includefurther reading. New articles for this edition are: A Guide for Beginners, Links between British and American Families, Black and Asian Family History, and an extended feature on Names. With handy research tips, a full background to the social history of communities and individuals, and an updated appendix listing all national and local record offices with their contact details, this is an essential reference work for anyone wanting advice on how to approach genealogical research, as well as a fascinating read for anyone interested in the past.

In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque – when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor – in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century how visual values such as ‘irregularity’ become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design why movement is fundamental to picturing the stillness of buildings, cities and landscapes. Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.

This book extends the concept of British vernacular architecture beyond its traditional base of pre-modern domestic and industrial architecture to embrace other buildings such as places of worship, villas, hospitals, suburban semis and post-war mass housing. Engaging with wider issues of social and cultural history, this book is of use to anyone with an interest in architectural history. Presented in an essentially chronological sequence, from the medieval to the post-war, diverse fresh viewpoints in the chapters of this book reinforce understanding of how building design emerges not just from individual agency, that is architects, but also from the collective traditions of society.

Lying in the Dark Room: Architectures of British Maternity returns to and reflects on the spatial and architectural experience of childbirth, through both a critical history of maternity spaces and a creative exploration of those we use today. Where conventional architectural histories objectify buildings (in parallel with the objectification of the maternal body), the book—in the mode of creative practice research—presents a creative-critical autotheory of the architecture of lying-in. It uses feminist, subjective modes of thinking that travel across disciplines, registers and arguments. The book assesses the transformation of maternity spaces—from the female bedchamber of seventeenth- and eighteenth-century marital homes, to the lying-in hospitals of the eighteenth and nineteenth centuries purposely built by man-midwives, to the late twentieth-century spaces of home and the modern hospital maternity wing—and the parallel shifts in maternal practices. The spaces are not treated as mute or neutral backdrops to maternal history but as a series of vital, entangled atmospheres, materials, practices and objects that are produced by, and, in turn, produce particular social and political conditions, gendered structures and experiences. Moving across spaces, systems, protagonists and their subjectivities, the book shows how hospital design and protocol altered ordinary birth at home and continues to shape maternal spatial experience today. As such, it will be of interest to a wide range of readers, from architectural historians, theoreticians, designers and students to medical humanities historians, to English Literature, humanities and material studies scholars, as well as those interested in creative-critical writing.

George Washington's Mount Vernon brings together--for the first time--the details of Washington's 45-year endeavor to build and perfect Mount Vernon. In doing so it introduces us to a Washington few of his contemporaries knew, and one little noticed by historians since. Here we meet the planter/patriot who also genuinely loved building, a man passionately human in his desire to impress on his physical surroundings the stamp of his character and personal beliefs. As chief architect and planner of the countless changes made at Mount Vernon over the years, Washington began by imitating accepted models of fashionable taste, but as time passed he increasingly followed his own ideas. Hence, architecturally, as the authors show, Mount Vernon blends the orthodox and the innovative in surprising ways, just as the new American nation would. Equally interesting is the light the book sheds on the process of building at Mount Vernon, and on the people--slave and free--who did the work. Washington was a demanding master, and in their determination to preserve their own independence his workers often clashed with him. Yet, as the Dalzells argue, that experience played a vital role in shaping his hopes for the future of American society--hope that embraced in full measure the promise of the revolution in which he had led his fellow citizens. George Washington's Mount Vernon thus compellingly combines the two sides of Washington's life--the public and the private--and uses the combination to enrich our understanding of both. Gracefully written, with more than 80 photographs, maps, and engravings, the book tells a fascinating story with memorable insight.