This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already-existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on, histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the modern worlds of urbane civility and a paradoxical longing for nature, and finally to great power rivalries and global prospects. The book argues that Tolkien did not employ these histories indiscriminately or reductively. Rather, he regarded them as aspects of aesthetic and representative figuration that are above all literary. While most criticism has concentrated on Tolkien’s use of historical traditions of Northern Europe, this book argues that Tolkien also valued Southern and Mediterranean pasts and registered the Germanic and the Scandinavian pasts as they related to other histories as much as his vision of them included a primeval mythic aura.

This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already-existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the modern worlds of urbane civility and a paradoxical longing for nature, and finally to great power-rivalries and global prospects. The book argues that Tolkien did not employ these histories indiscriminately or reductively. Rather, he regarded them as aspects of aesthetic and representative figuration that are above all literary. While most criticism has concentrated on Tolkien's use of historical traditions of northern Europe, this book argues that Tolkien also valued Southern and Mediterranean pasts and registered the Germanic and the Scandinavian pasts as they related to other histories as much as his vision of them included a primeval mythic aura.

From “one of the greatest writers of this century,” a fantasy masterpiece about the aftermath of a marriage between a mortal prince and an elfin princess. —Arthur C. Clarke Before the fellowships and wardrobes and dire wolves . . . . . . there was the village of Erl and the Kingdom of Elfland. Considered formative to the development of the fairy tale and high fantasy subgenres, The King of Elfland's Daughter follows Alveric, who leaves home on a quest with a few basic instructions: locate the Princess Lirazel in Elfland, convince her to return to Erl and marry him, and together produce the first magical Lord of Erl. But what happens when a village gets exactly what it asked for? How does an elf learn to live as a human? Is love lost once, lost forever? The people of Erl are about to find out. Take a walk through the fields we know and see if you can spot the pale-blue peaks of the Elfland Mountains. Fans of J. R. R. Tolkien, C. S. Lewis, and Neil Gaiman will adore Lord Dunsany’s influential 1924 classic as much as those authors themselves did. “No amount of mere description can convey more than a fraction of Lord Dunsany's pervasive charm.” —H. P. Lovecraft “We find that he has but tranfigured with beauty the common sights of the world.” —William Butler Yeats “No one can understand modern fantasy without understanding its roots, and Lord Dunsany's work is immediately significant as well as enjoyable even today.” —Katharine Kerr “A fantasy novel in a class with the Tolkien books.”—L. Sprague de Camp

'The Fellowship of the Ring' is the first part of JRR Tolkien's epic masterpiece 'The Lord of the Rings'. This 50th anniversary edition features special packaging and includes the definitive edition of the text.|PB

The definitive Tolkien companion—an indispensable guide to The Hobbit, The Lord of the Rings, and more, from the author of The Road to Middle-earth. This “highly erudite celebration and exploration of Tolkien’s works [is] enormous fun,” declared the Houston Chronicle, and Tom Shippey, a prominent medievalist and scholar of fantasy, “deepens your understanding” without “making you forget your initial, purely instinctive response to Middle-earth and hobbits.” In a clear and accessible style, Shippey offers a new approach to Tolkien, to fantasy, and to the importance of language in literature. He breaks down The Lord of the Rings as a linguistic feast for the senses and as a response to the human instinct for myth. Elsewhere, he examines The Hobbit’s counterintuitive relationship to the heroic world of Middle-earth; demonstrates the significance of The Silmarillion to Tolkien’s canon; and takes an illuminating look at lesser-known works in connection with Tolkien’s life. Furthermore, he ties all these strands together in a continuing tradition that traces its roots back through Grimms’ Fairy Tales to Beowulf. “Shippey’s commentary is the best so far in elucidating Tolkien’s lovely myth,” wrote Harper’s Magazine. J.R.R. Tolkien: Author of the Century is “a triumph” (Chicago Sun-Times) that not only gives readers a deeper understanding of Tolkien and his work, but also serves as an entertaining introduction to some of the most influential novels ever written.