"This first novel from historian and critic Popkin details the art scene of post-Colonial America. At the center of the story is John Lewis Krimmel (1786-1821), an artist today revered for his depiction of working Americans and urban scenes. The novel follows Krimmel and his contemporaries as they travel through Philadelphia and Baltimore sketching merchants, musicians, and celebrations in town squares. The clash between romanticism and reason in art escalates as arguments among Krimmel, members of his sketch club, and the older art establishment lead to violence and eventually death..."--Library Journal.

Thought-provoking reflection on culture, colonialism, and the remainders of empire in Belgium after 1960 The degree to which the late colonial era affected Europe has been long underappreciated, and only recently have European countries started to acknowledge not having come to terms with decolonisation. In Belgium, the past two decades have witnessed a growing awareness of the controversial episodes in the country’s colonial past. This volume examines the long-term effects and legacies of the colonial era on Belgium after 1960, the year the Congo gained its independence, and calls into question memories of the colonial past by focusing on the meaning and place of colonial monuments in public space. The book foregrounds the enduring presence of “empire” in everyday Belgian life in the form of permanent colonial markers in bronze and stone, lieux de mémoire of the country’s history of overseas expansion. By means of photographs and explanations of major pro-colonial memorials, as well as several obscure ones, the book reveals the surprising degree to which Belgium became infused with a colonialist spirit during the colonial era. Another key component of the analysis is an account of the varied ways in which both Dutch- and French-speaking Belgians approached the colonial past after 1960, treating memorials variously as objects of veneration, with indifference, or as symbols to be attacked or torn down. The book provides a thought-provoking reflection on culture, colonialism, and the remainders of empire in Belgium after 1960.

Historical novel with the WW1 East African campaign as the background.

Macalister Cameron's fantasy comes to life when she's snowbound in Fantasy Lodge with two incredible men vying for her attention. "What if your romantic fantasy became possible? Two gorgeous hunks, one dark and surly, the other blond and bright, lived to please and fulfill you? What if you burned with passion and only these two alpha males could satisfy you? What if you found out they had a dangerous secret, and it included you?"

Do you know the differences between a leopard and a cheetah? One animal has a thick powerful body. The other animal has a thin body for speed. Find out which animal is which.

This book examines the relationship between and identities within the three kingdoms of Scotland, France, and England from c. 1100 until the crown of England lost Normandy, Anjou, Maine, and Touraine in 1204. Diplomatic and political relations were unique in the twelfth century because the three kingdoms were united by a ruling class that spanned the Channel. This aristocratic, Anglo-French structure beginning with the Norman invasion in 1066 disrupted and delayed the development of a unitary national identity within each of the three kingdoms. Men and women identified themselves with more than one royal overlord as long as they held fees of multiple kings and, as such, national identity was a moveable feast. This situation created a complex political web that often damaged consistent loyalty to any one king or overlord, as each member of a kin group changed alliances based on territorial threats and on the interests of their familial networks. Furthermore, alliances formed between families in the Anglo-French realm had a significant impact on political decision-making in Scotland because the Anglo-French Scots were intimately bound to this structure through their own kin networks and land bases. Significantly, this work dispels the prevailing myth that the Anglo-French who settled in Scotland did not see themselves as part of the cross-Channel world but as 'Scots' by the end of the twelfth century.

BOOK 4 IN THE BALLANTYNE SERIES, BY INTERNATIONAL SENSATION WILBUR SMITH 'Best historical novelist' - Stephen King 'A master storyteller' - Sunday Times 'Wilbur Smith is one of those benchmarks against whom others are compared' - The Times 'No one does adventure quite like Smith' - Daily Mirror A FAMILY'S PAST. A COUNTRY'S FUTURE. Bestselling author Craig Mellow is tired of fame and wants only to return to his family's old home in Zimbabwe. When the World Bank recruits Craig to investigate ivory poaching and corruption it is the opportunity he so desperately craves to return. Under the guise of writing a new book on Africa, Mellow returns to his family's old ranch, Rholands, accompanied by beautiful young photographer Sally-Anne Jay. Although it's now derelict, Craig wants to rebuild and turn Rholands into a tourist safari, but he finds his way unexpectedly blocked by his old friend, now government minister, Tungata Zebiwe. With the corrupt government blocking his plans and new conflict on the horizon, Craig and Sally must fight not only for their lives, but for the very future of a country. The fourth book in the epic Ballantyne Series and the final instalment in the first sequence. Join a new generation of Ballantynes in Book 5 of the Ballantyne series, The Triumph of the Sun, available now.