Lines in the Sandis Timothy Lockley’s nuanced look at the interaction between nonslaveholding whites and African Americans in lowcountry Georgia from the introduction of slavery in the state to the beginning of the Civil War. The study focuses on poor whites living in a society where they were dominated politically and economically by a planter elite and outnumbered by slaves. Lockley argues that the division between nonslaveholding whites and African Americans was not fixed or insurmountable. Pulling evidence from travel accounts, slave narratives, newspapers, and court documents, he reveals that these groups formed myriad kinds of relationships, sometimes out of mutual affection, sometimes for mutual advantage, but always in spite of the disapproving authority of the planter class. Lockley has synthesized an impressive amount of material to create a rich social history that illuminates the lives of both blacks and whites. His abundant detail and clear narrative style make this first book-length examination of a complicated and overlooked topic both fascinating and accessible.

A longtime CNN columnist astutely combines history and global politics to help us better understanding the exploding number of military, political, and diplomatic crises around the globe. The riveting and illuminating behind-the-scenes stories of the world's most intense “red lines," from diplomatic and military challenges at particular turning points in history to the ones that set the tone of geopolitics today. Whether it was the red line in Munich that led to the start of the Second World War, to the red lines in the South China Sea, the Korean Peninsula, Syria and the Middle East. As we traverse the globe, Andelman uses original documentary research, previously classified material, and interviews with key players, to help us understand the growth, the successes and frequent failures that have shaped our world today. Andelman provides not just vivid historical context, but a political anatomy of these red lines. How might their failures be prevented going forward? When and how can such lines in the sand help preserve peace rather than tempt conflict? A Red Line in the Sand is a vital examination of our present and the future—where does diplomacy end and war begin? It is an object lesson of tantamount importance to every leader, diplomat, citizen, and voter. As America establishes more red lines than it has pledged to defend, every American should understand the volatile atmosphere and the existential stakes of the red web that encompasses the globe.

Line in the Sand details the dramatic transformation of the western U.S.-Mexico border from its creation at the end of the Mexican-American War in 1848 to the emergence of the modern boundary line in the first decades of the twentieth century. In this sweeping narrative, Rachel St. John explores how this boundary changed from a mere line on a map to a clearly marked and heavily regulated divide between the United States and Mexico. Focusing on the desert border to the west of the Rio Grande, this book explains the origins of the modern border and places the line at the center of a transnational history of expanding capitalism and state power in the late nineteenth and early twentieth centuries. Moving across local, regional, and national scales, St. John shows how government officials, Native American raiders, ranchers, railroad builders, miners, investors, immigrants, and smugglers contributed to the rise of state power on the border and developed strategies to navigate the increasingly regulated landscape. Over the border's history, the U.S. and Mexican states gradually developed an expanding array of official laws, ad hoc arrangements, government agents, and physical barriers that did not close the line, but made it a flexible barrier that restricted the movement of some people, goods, and animals without impeding others. By the 1930s, their efforts had created the foundations of the modern border control apparatus. Drawing on extensive research in U.S. and Mexican archives, Line in the Sand weaves together a transnational history of how an undistinguished strip of land became the significant and symbolic space of state power and national definition that we know today.

Uses recently declassified French and British government documents to describe how the two countries secretly divided the Middle East during World War I and the effect these mandates had on local Arabs and Jews.

Offers a collection of poems, stories, and drawings on war and peace, assembled in response to the war in Iraq but inspired by a variety of conflicts throughout history.

Provides a multimodal analysis of women's sand stories from Central Australia, showing how speech, sign, gesture and drawing work together.

Skuban's study highlights the fabricated nature of national identity in what became one of the most contentious border disputes in South American history.