Our world is bathed in ongoing biological, political, cultural, climate, and spiritual crises that seem endless. If anything, these disruptions appear to be spiraling into ever larger threat fronts that challenge our survival as a species. Carl Gustav Jung, renowned Swiss psychiatrist, avowed in his archetypal psychology that there is a portal of transforming possibility if we have the courage to enter that doorway. That threshold entering demands that we embrace our individual and collective sufferings and then seek the path of meaning and destiny that is always resident deeply at the core of such trauma. This book narrates how this destiny is found and lived forward for both each individual life and for our varied human cultures. It affirms and gives examples of the deep-soul dimension of life that lies under the often chaotic surface—the liminal realm of animate and guiding dream, vision, myth, and spirituality where the gods meet us so that we all can find our mutual way Home. This liminal world is navigated through the metaphoric and literalness of pilgrimage, performance, and political processes in our personal and cultural lives. What might be your path of destiny?

Complex and time-consuming to produce, iron-ore mirrors stand out among Prehispanic artifacts for their aesthetic beauty, their symbolic implications, and the complexity and skill of their assembly. Manufactured Light presents the latest archaeological research on these items, focusing on the intersection of their significance and use and on the technological aspects of the manufacturing processes that created them. The volume covers the production, meaning, and utilization of iron-ore mirrors in various Mesoamerican communities. Chapters focus on topics such as experimental archaeology projects and discussions of workshops in archaeological contexts in the Maya, Central Mexico, and northwest Mexico regions. Other chapters concentrate on the employment and ideological associations of these mirrors in Prehispanic times, especially as both sacred and luxury items. The final chapters address continuities in the use of mirrors from Prehispanic to modern times, especially in contemporary indigenous communities, with an emphasis on examining the relationship between ethnographic realities and archaeological interpretations. While the symbolism of these artifacts and the intricacy of their construction have long been recognized in archaeological discussions, Manufactured Light is the first synthesis of this important yet under-studied class of material culture. It is a must-read for students and scholars of Mesoamerican archaeology, ethnography, religion, replicative experimentation, and lithic technology. Contirbutors include: Marc G. Blainey, Thomas Calligaro, Carrie L. Dennett, Emiliano Gallaga, Julie Gazzola, Sergio Gómez Chávez, Olivia Kindl, Brigitte Kovacevich, Achim Lelgemann, José J. Lunazzi, John J. McGraw, Emiliano Melgar, Joseph Mountjoy, Reyna Solis, and Karl Taube.

PRISM AWARD-WINNING AUTHOR A superb, standalone adventure in Leanna Renee Hieber's groundbreaking, critically acclaimed Strangely Beautiful series, full of passion and power. From childhood, Violet Rychman has dreamed of a coming war, of death and battle on an unimaginable scale. She has seen and heard ghosts, who have loved and guided her. Now the future she dreamed has come to pass. World War I rages across Europe. Millions of people are dying; entire villages are disappearing. A great and terrible vision sweeps over Violet, offering powers heralded by the Muses of antiquity. The ability to impact people’s memories, even shape their thoughts. To guide their souls. To pass between the world of the living and that of the dead and to bring others through that passage. These and other gifts once belonged to people Violet loved. Now they are hers, and she must use them to attempt to stop death itself. Strangely Beautiful series Strangely Beautiful Perilous Prophecy Miss Violet and the Great War The Eterna Files series The Eterna Files Eterna and Omega The Eterna Solution At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The United States is at a crossroads: Moving away from the stalemate of political polarization and culture wars requires reflection, critical thinking, and imagination. This book of collected essays brings together leaders in Jungian and archetypal psychology to forge this path by offering a comprehensive look at the American psyche. Re-Visioning the American Psyche examines the myths, images, and archetypal fantasies ingrained in the collective consciousness and unconscious in the United States. The volume tends to manifest symptoms in political institutions, social conflicts, and cultural movements. Using various interpretative processes—from psychoanalytic to literary and to participatory—it reflects on the meaning of democratic participation, the psychological cost of wars and violence, intergenerational trauma due to racism, the emotional dimensions of political polarization, deep-seated oppositional thinking in patriarchal structures, frailty of the American Dream, and more. With its rich scope, interdisciplinary scholarship, and critical engagement with historical and current affairs, this book will be of great interest to those in Jungian and depth psychology, as well as sociology, politics, cultural studies, and American studies. As a timely contribution with an international appeal, it will engage readers who are invested in better understanding psychology’s capacity to respond to social, cultural, and political realities.

For a thousand years across the length and breadth of China and beyond, people have burned paper replicas of valuable things—most often money—for the spirits of deceased family members, ancestors, and myriads of demons and divinities. Although frequently denigrated as wasteful and vulgar and at times prohibited by governing elites, today this venerable custom is as popular as ever. Burning Money explores the cultural logic of this common practice while addressing larger anthropological questions concerning the nature of value. The heart of the work integrates Chinese and Western thought and analytics to develop a theoretical framework that the author calls a “materialist aesthetics.” This includes consideration of how the burning of paper money meshes with other customs in China and around the world. The work examines the custom in contemporary everyday life, its origins in folklore and history, as well as its role in common rituals, in the social formations of dynastic and modern times, and as a “sacrifice” in the act of consecrating the paper money before burning it. Here the author suggests a great divide between the modern means of cultural reproduction through ideology and reification, with its emphasis on nature and realism, and previous pre-capitalist means through ritual and mystification, with its emphasis on authenticity. The final chapters consider how the burning money custom has survived its encounter with the modern global system and internet technology. Innovative and original in its interpretation of a common ritual in Chinese popular religion, Burning Money will be welcomed by scholars and students of Chinese religion as well as comparative religion specialists and anthropologists interested in contemporary social theory.

Rites of Passage, Liminality, and Community in Octavia E. Butler’s Science Fiction Novels explores the ways in which Octavia Butler’s liminal protagonists undergo ritualized transformations while in exile from their home communities. During this process, they engage in psychological, physical, political, and social transitions through what Victor Turner and Makhail Bakhtin describe as carnivalesque identities. Using postcolonial, feminist, anti-capitalist, and African American theorists, Lin Knutson examines how Butler’s imagined genesis and history carry echoes of American history, slave history, debt slavery, and colonization.

What do new technologies taste like? A growing number of contemporary artists are working with food, live materials and scientific processes, in order to explore and challenge the ways in which manipulation of biological materials informs our cooking and eating. 'Bioart', or biological art, uses biotech methods to manipulate living systems, from tissues to ecologies. While most critiques of bioart emphasise the influences of new media, digital media, and genetics, this book takes a bold, alternative approach. Bioart Kitchen explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.